在線看
同款熱播
一線希望
扎克瑞·萊維,喬什·杜哈明,昆汀·普萊爾,泰倫斯·特雷爾,馬歇爾·庫克,喬貝茲·威廉姆斯,弗羅瑞安娜·利馬,杰西卡·布萊克莫爾,普里亞·賈恩,詹姆斯·馬丁·凱利,施特菲·塔凱,Armida Lopez,里森·亞歷山大,Chris Dingli,Davina Reeves,Edward De Gaetano,Tucker Sparkman,杰·佩斯,George C. Owens邁爾斯·特勒將出演生存題材新片[一線希望](Not Without Hope,暫譯)。本片由魯伯特·溫萊特執導,根據同名小說改編,E. Nicholas Mariani撰寫劇本,講述2009年發生的一起劃船悲劇,4位朋友在墨西哥灣遭遇狂風暴雨后,不得不在團隊合作和耐力的終極考驗中奮力求生。
八月2025
丹尼爾·沃羅比耶夫,謝爾蓋·別茲魯科夫,Mikhail Gavrilov,Eldar Kalimulin,尼基塔·科洛格利維,羅曼·邁迪安諾夫,奧爾佳·奧佐拉平亞The history of the military operation "Bagration", which took place in August 1944.
弗蘭茨
伊丹·魏斯,彼得·庫爾特,耶諾夫法·波科娃,伊凡·特洛伊,Sandra Korzeniak,卡塔琳娜·斯塔克,塞巴斯蒂安·施瓦茨,亞倫·弗里斯,卡羅爾·舒勒,Gesa Shermuly,揚·布達爾,約瑟夫·特洛伊,卡雷爾·多布雷,Daniel Dongres,René Hofschneider,米哈爾·伊斯特尼克,弗拉迪米爾·雅沃爾斯基,Václav Jirácek,Michal Kern,Stepán Klán阿格涅絲卡·霍蘭憑借這部迄今為止最具野心的作品達成了導演生涯的巔峰,她呈現了一部關于20世紀捷克標志性作家弗朗茨·卡夫卡的傳記片。影片以萬花筒般的拼貼手法構建而成,追隨卡夫卡留下的足跡——從19世紀的布拉格出發,直至他在維也納辭世,時間跨度涵蓋第一次世界大戰及之后?!陡ダ蚀摹芬黄瑢橛^眾提供一個獨特的視角,一窺這位文學巨匠背后的人生軌跡。
暗杠
梁爽,李正國民國中后期,官僚腐敗,道德滑坡,民生環境日益惡化。亞細亞建筑公司老板王大偉等人為了謀取私利,在工人勞保和保險上違規節省成本,導致工人意外身亡,該工人妻子在王大偉等人打麻將的茶館進行秘密復仇……
妃子笑
蕭正楠,黃婉伶,黃婉君,陳逸寧,戴夢夢,朱咪咪,李兆基,江欣燕,梅小惠,謝雪心,楊羚,李思捷,王嘉明弘治七年,皇上在全國范圍內大選妃子。來在同村的兩位少女鴛鴦(黃婉君 飾)和朱朱(黃婉伶 飾)相助于危險的夜路,遂互稱姐妹,共赴皇宮?! τ谏倥畟儊碚f,如果成功當選皇妃,無論富貴貧賤都可飛上枝頭當鳳凰,自然競爭激烈,條件也很苛刻。不光自身條件要好,還要經過嚴格的培訓與層層考試。但更加殘酷其實是她們各自之間的勾心斗角、爾虞我詐?! ∶鎸ΨN種的困難與危險,鴛鴦與珠珠能否闖過難關?而面對這殘酷的競爭,她們的友情是否會改變呢?
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.