莉婭

★ 5.3 播放：51萬 更新：2026-04-27

L eacute;a (2011) 2011戛納電影節獨立電影推廣協會ACID大獎，芝加哥電影節及瑞典哥德堡電影節參展作品 自從父親（帕特里克;博內爾飾）有了新的女人（娜塔莉 ;特拉福爾飾）并生了另一個女兒（伊內絲 middot;特拉福爾飾），奶奶（吉內特;加爾桑飾）一直就由萊婭（安娜阿祖萊飾）照料。然而，兼職夜總會調酒師的萊婭有個夢想，那就是去巴黎著名的政治學院進修。這樣，她就必須把患有老年癡呆癥的奶奶安置在勒阿弗爾的養老院。由此，為了支付奶奶入住體面房間的費用和自己的學費，疲憊穿梭于勒阿弗爾與巴黎兩地之間的萊婭沒有更好的辦法，只能選擇在晚上跳舞掙錢...... 　　

在線播放

劇情簡介

L eacute;a (2011) 2011戛納電影節獨立電影推廣協會ACID大獎，芝加哥電影節及瑞典哥德堡電影節參展作品 自從父親（帕特里克;博內爾飾）有了新的女人（娜塔莉 ;特拉福爾飾）并生了另一個女兒（伊內絲 middot;特拉福爾飾），奶奶（吉內特;加爾桑飾）一直就由萊婭（安娜阿祖萊飾）照料。然而，兼職夜總會調酒師的萊婭有個夢想，那就是去巴黎著名的政治學院進修。這樣，她就必須把患有老年癡呆癥的奶奶安置在勒阿弗爾的養老院。由此，為了支付奶奶入住體面房間的費用和自己的學費，疲憊穿梭于勒阿弗爾與巴黎兩地之間的萊婭沒有更好的辦法，只能選擇在晚上跳舞掙錢...... 　　

導演精選

鬼鏡

警探本?卡森（Kiefer Sutherland 基弗?薩瑟蘭 飾）因槍殺同事被迫從紐約警察局提前退休，他的婚姻也隨之破裂。落魄的本暫住在妹妹安琪（Amy Smart 飾）的公寓里，終日借酒澆愁。一段時間沉淪過后，本重抖精神，找到了一份保安的工作。他所供職的五月花購物商場五年前曾被大火毀于一旦，令他倍感奇怪的是，在這座焦黑的建筑物中，那一面面鏡子卻格外明亮。　　數日后，本在商場的鏡子上發現奇怪的手印，而次日亦在妹妹家的鏡子上見到恐怖的景象。接下來的日子里，恐怖事件接連發生……

未來學大會

　　曾經名噪一時的女明星羅賓·懷特（羅賓·懷特 Robin Wright 飾）早已過氣，45歲的她因為執拗和任性毀掉的很多機會，也讓公司老板杰夫（丹尼·赫斯頓 Danny Huston 飾）漸漸失去了耐心。杰夫逼迫她簽下演員生涯最后一份合約，從此羅賓的名字和三維掃描后的虛擬 形象只能出現在公司的展示墻上和數字時代的電影中。羅賓起初極度抵制，但在經紀人艾爾（哈威·凱特爾 Harvey Keitel 飾）的竭力勸說下，同時考慮到兒子亞倫（柯蒂·斯密特-麥菲 Kodi Smit-McPhee 飾）的狀況，這個倔強的女人選擇妥協。20年后，羅賓驅車前往亞伯拉荷馬參加未來學大會，而那里是一個全動畫封鎖區。以動畫形象示人的羅賓將經歷一次難忘的旅程……　　本片根據波蘭科幻、哲學、未來學作家斯坦尼斯拉夫·萊姆的短篇小說改編。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.