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我爸救了圣誕節(jié)2
圣地亞哥·塞古拉,埃內(nèi)斯托·塞維利亞,Pablo Chiapella靈犀
Jay Dee,Daniel 'Doknow' Lopez,Uziel Pantoja Delgado,Pao Villalobos,Nana Ponceleon,Laura Lopez,Francine Sena,Liz Ellie,Xavier Mendoza,Jose Mata,Cristian E. Gutierrez,Josh Benitez,Cory Aycock,Angelina Rosa,Noman Hosni,Terrence DeLane,Seryn黑暗收割
卡塞伊·萊克斯,艾默莉·克魯奇菲爾德,Dustin Ceithamer,亞歷杭德羅·阿卡拉,以斯拉·巴茲頓,杰瑞米·戴維斯,伊莉莎白·里瑟,盧克·柯比,Austin Autry,梅根·貝斯特,杰克·布雷楠,布里坦·道爾頓,史蒂文·麥卡錫,Maclean Fish,納扎利·德姆克維奇,West Mulholland,Carter Heintz,Logan Tomanek,Dylan McEwan,Ryder Dueck瘋狂的兔子
柳田,趙夢洋,陳述,崔岳,黃迎,常藍(lán)天鬼店另有主
薩拉·帕克斯頓,帕特·希利,凱莉·麥吉利斯阿爾及爾之戰(zhàn)
卜拉欣·哈賈季,讓·馬丹,Yacef Saadi,Samia Kerbash,Ugo Paletti,Fouzia El Kader,Mohamed Ben Kassen同類推薦
杰索拉·加尼美·卡美巴 決戰(zhàn)!南海的大怪獸
久保明,小林夕岐子,高橋厚子攝影師工藤太郎在坐飛機(jī)的途中發(fā)現(xiàn)一架太空囊墜入大海,那正是4個月前離奇失蹤的無人木星探測器赫利俄斯7號。回國后的工藤接到陪同開發(fā)公司調(diào)查隊前往塞吉?dú)W島的工作,而塞吉?dú)W島正位于赫利俄斯7號墜落地點(diǎn)的附近…… 另一方面,塞吉?dú)W島突然出現(xiàn)巨大的怪獸,這一切似乎和赫利俄斯7號有關(guān)……
三十一
伊麗莎白·戴利,雪莉·穆恩·贊比,丹尼爾·洛巴克,勞倫斯·希爾頓-雅各布斯萬圣節(jié)前一天,五名狂歡節(jié)員工被綁架挾持到一個稱為“肅殺世界”的孤立院子。在萬圣節(jié)時,他們會被扔進(jìn)一個名叫“31”的虐待狂的游戲中,他們將面對一群穿得像小丑一樣的瘋子。然而,小丑并不是唯一需要擔(dān)心的,一個更宏大的邪教儀式和更殘酷的陰謀將被喚醒......
怪物計劃
伊芳·齊瑪,賈斯汀·布恩寧,托比·海明威,Murielle Zuker,Jim Storm,Shayne Eastin,PeiPei Alena Yuan,Shiori Ideta一個想拍攝出恐怖紀(jì)錄片的劇組在網(wǎng)路上發(fā)布了試鏡公告,表明他們要找尋隱藏于現(xiàn)實生活中的駭人怪物,沒想到有三個自稱獸行者、吸血鬼與惡魔的報名者要前來試鏡。他們相約于月全蝕之夜,在一棟森林中的偏遠(yuǎn)豪宅見面,原本只是要請對方分享自己的靈異經(jīng)驗,沒想到竟弄假成真,變調(diào)成一場揮之不去的恐怖夢魘。
海綿寶寶:深海大冒險
克蘭西·布朗,馬克·哈米爾,湯姆·肯尼,布萊恩·道爾,比爾·法格巴克,勞倫斯先生,埃絲·史佩斯,羅德格爾·邦帕斯,卡羅琳·勞倫斯,道格拉斯·泰特,卡拉·三子,詹姆斯·亨特,Tammy Davis,Arthur Waite,布萊恩·科菲,Leonel Garza,Scott Frenzel,Melissa Kaye Bontempt,阿拉娜·菲利普為了證明自己不再是“小不點(diǎn)”,海綿寶寶下定決心,要向蟹老板展現(xiàn)他真正的勇氣。 他毅然決然追隨那位神秘的、縱橫四海的幽靈海盜——“飛天魔鬼”,開啟了一段驚心動魄、顛覆想象的深海大冒險!這段旅程將帶他闖入深海禁區(qū),見證海綿從未觸及的神秘世界!
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.