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克蘿拉來(lái)到圣多明各，與她的攝影師丈夫安迪會(huì)合。雖然安迪最初嫉妒馬可，馬可在城里尋找他失蹤的女朋友，他的女朋友在圣多明各和她的同事一起度假后沒(méi)有回來(lái)。當(dāng)克蘿拉和安迪發(fā)現(xiàn)失蹤的女孩艾瑞斯在他們粗暴的，支配的船長(zhǎng)利昂的公司，安迪建議克蘿拉distr…
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重大發(fā)現(xiàn)
尼爾·布林,丹妮爾·安德雷德噬血芭蕾
阿麗莎·威爾,梅麗莎·巴雷拉,丹·史蒂文斯,凱瑟琳·紐頓,凱文·杜蘭,吉安卡羅·埃斯波西托,安格斯·克勞德,威廉·卡特列特,馬修·古迪一起過(guò)家家
宋木子,蔣詩(shī)萌,合文俊,夏甄,葉泉希,李飛,陳璽旭,楊九郎,衣云鶴,馬旭東,李曼,土豆團(tuán)戰(zhàn)之夜
山姆·洛克威爾,史蒂夫·馬克,坦婭·范·格拉恩,卡西爾·伊托克-威尼克,朱諾·坦普爾,邁克爾·佩納,海莉·露·理查森,莎姬·貝茲,阿西姆·喬杜里,湯姆·泰勒,Adam Burton,迪諾·費(fèi)切爾,喬治婭·古德曼,康拉德·坎普,邁克·加薩威,安娜·阿克頓,露露·泰勒,艾莉·康德倫,多米尼克·馬厄,大衛(wèi)·斯圖爾扎克外星博士
食人豬
嚴(yán)泰雄,鄭有美,張恒善,尹宰文人氣佳作
荒漠惡種
凱特·林恩·希爾,斯科特·黑茲,Alex Montaldo作惡者
Melanie Liburd,Kiah McKirnan,Ireon Roach謊言的島嶼
內(nèi)瑞雅·巴德洛斯,達(dá)里奧·格蘭迪內(nèi)蒂,埃托爾·盧納,Victoria Teijeiro,Ana Oca,米洛·塔波阿達(dá),Leire Berrocal,Miguel Borines,賽爾索·布加諾,Mela Casal,María Costas,Roberto Leal,Sergio Quintana,Machi Salgado,Ana Santos無(wú)形的本質(zhì)
Laura Brand?o,Serena,Larissa Mauro,Camila Márdila,Aline Marta Maia導(dǎo)演精選
自殺森林
生活在美國(guó)的莎拉·普斯（娜塔莉·多默爾 Natalie Dormer 飾）近日來(lái)心神不寧，她有一個(gè)孿生妹妹杰西（娜塔莉?多默爾 Natalie Dormer 飾）在日本擔(dān)任外教。然而杰西突然下落不明，莎拉拜托山梨縣警方幫助搜查，最終得到的結(jié)果是杰西可能進(jìn)入了擁有“自殺勝地”之稱的青木原森林自我了斷。莎拉絕不認(rèn)同警方的推測(cè)，她不顧男朋友的阻攔，獨(dú)自踏上前往日本的旅途。她最先來(lái)到了妹妹任教的學(xué)校，在調(diào)查未果之后乘上了前往青木原森林的列車。他人的勸阻無(wú)法攔住莎拉的腳步，她朝向森林深處走去。 在這一過(guò)程中，恐怖詭異的經(jīng)歷交替襲來(lái)……
觀光路線
一對(duì)老友在公路旅行中被困沙漠，屢次求助無(wú)門酷暑難擋使他們暴力相向。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.