熾熱的欲望

9.8 播放：83萬 更新：2026-04-27
主演：??? ??? ??? ??? ?? 

A暫無內(nèi)容marriage暫無內(nèi)容without暫無內(nèi)容love暫無內(nèi)容...暫無內(nèi)容you'll暫無內(nèi)容have暫無內(nèi)容to暫無內(nèi)容against暫無內(nèi)容Recipients,暫無內(nèi)容the暫無內(nèi)容macho暫無內(nèi)容'chunggi'暫無內(nèi)容Recipients暫無內(nèi)容who暫無內(nèi)容were暫無內(nèi)容harder暫無內(nèi)容to暫無內(nèi)容dual暫無內(nèi)容nature暫無內(nèi)容of暫無內(nèi)容the暫無內(nèi)容husband暫無內(nèi)容as暫無內(nèi)容'official'.暫無內(nèi)容Recipients暫無內(nèi)容are暫無內(nèi)容increasingly暫無內(nèi)容immersed暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容charm暫無內(nèi)容of暫無內(nèi)容chunggi暫無內(nèi)容begun暫無內(nèi)容meeting暫無內(nèi)容secretly暫無內(nèi)容and暫無內(nèi)容starts暫無內(nèi)容loving暫無內(nèi)容husband.暫無內(nèi)容For暫無內(nèi)容Nagi's暫無內(nèi)容true暫無內(nèi)容colors暫無內(nèi)容begin暫無內(nèi)容chunggi暫無內(nèi)容also暫無內(nèi)容by暫無內(nèi)容a暫無內(nèi)容growing暫無內(nèi)容love暫無內(nèi)容for暫無內(nèi)容the暫無內(nèi)容growing暫無內(nèi)容love暫無內(nèi)容of暫無內(nèi)容Recipients.暫無內(nèi)容One暫無內(nèi)容day暫無內(nèi)容the暫無內(nèi)容husban...

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A暫無內(nèi)容marriage暫無內(nèi)容without暫無內(nèi)容love暫無內(nèi)容...暫無內(nèi)容you'll暫無內(nèi)容have暫無內(nèi)容to暫無內(nèi)容against暫無內(nèi)容Recipients,暫無內(nèi)容the暫無內(nèi)容macho暫無內(nèi)容'chunggi'暫無內(nèi)容Recipients暫無內(nèi)容who暫無內(nèi)容were暫無內(nèi)容harder暫無內(nèi)容to暫無內(nèi)容dual暫無內(nèi)容nature暫無內(nèi)容of暫無內(nèi)容the暫無內(nèi)容husband暫無內(nèi)容as暫無內(nèi)容'official'.暫無內(nèi)容Recipients暫無內(nèi)容are暫無內(nèi)容increasingly暫無內(nèi)容immersed暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容charm暫無內(nèi)容of暫無內(nèi)容chunggi暫無內(nèi)容begun暫無內(nèi)容meeting暫無內(nèi)容secretly暫無內(nèi)容and暫無內(nèi)容starts暫無內(nèi)容loving暫無內(nèi)容husband.暫無內(nèi)容For暫無內(nèi)容Nagi's暫無內(nèi)容true暫無內(nèi)容colors暫無內(nèi)容begin暫無內(nèi)容chunggi暫無內(nèi)容also暫無內(nèi)容by暫無內(nèi)容a暫無內(nèi)容growing暫無內(nèi)容love暫無內(nèi)容for暫無內(nèi)容the暫無內(nèi)容growing暫無內(nèi)容love暫無內(nèi)容of暫無內(nèi)容Recipients.暫無內(nèi)容One暫無內(nèi)容day暫無內(nèi)容the暫無內(nèi)容husban...

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諾瑪·蕾

莎莉·菲爾德,博·布里奇斯,羅恩·雷布曼,帕特·亨格爾,芭芭拉·巴斯里,蓋爾·斯特里克蘭德,摩根·保羅,羅伯特·布羅伊爾斯,John Calvin,布思·科爾曼,李·德布魯,詹姆斯·路易西,Vernon Weddle,吉爾伯特·格林,鮑勃·米諾

 故事發(fā)生在一個南部小鎮(zhèn)的棉織廠，諾瑪（莎莉·菲爾德 Sally Field 飾）和她的家人都在這里工作。這個工廠的工作環(huán)境異常惡劣，工人們每天都經(jīng)受著資本家的無情剝削和艱辛勞動。面對這種不公平的待遇，工人們備受壓迫和困擾。為了改變這種狀況，總工會派來了一名經(jīng)驗豐富的組織者，希望能夠協(xié)助當?shù)毓と私M織自己的工會，為工人們爭取更好的待遇和權(quán)益。然而，工人們對組織者的到來持有懷疑態(tài)度，他們心存疑慮，擔心這只是一個無望的嘗試。組織者面臨著許多困難和挑戰(zhàn)。工人們對他進行冷嘲熱諷，老板則用各種無理阻攔來阻礙工會的成立。看到這一切，諾瑪內(nèi)心充滿了憤慨和不滿。她是一個有著堅強意志的女性，對不合理的事物總是敢于挑戰(zhàn)。受到組織者的激勵和影響，諾瑪最終選擇站出來，成為了改變的先鋒。

復仇：愛的故事

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被破壞的男人

金明民,嚴基俊

　　朱英秀（金明敏 飾）是一名律師，和妻子敏晶（樸珠美 飾）過著幸福的生活，兩人共同養(yǎng)育著他們愛情的結(jié)晶慧琳（金素賢 飾），朱英秀相信正是因為有了主的庇護，他才能夠過上如此美滿的人生。然而，一場意外的發(fā)生徹底擊碎了朱英秀的信念。　　綁匪綁架了年幼的慧琳，兩人就此下落不明。起初，朱英秀和妻子都堅信慧琳一定能夠平安歸來，然而隨著時間的推移，這份堅定逐漸粉碎為了塵埃。朱秀英甚至因為此時而對自己堅持一生的信仰產(chǎn)生了懷疑。一晃眼八年過去，一通意外的來電在這個支離破碎的家庭之內(nèi)再度掀起波瀾，慧琳還活著，而朱英秀唯一的信仰，就是找到她。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.