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別名：又名 Acla s Decent Into Floristella / Acla;/阿科拉 /La discesa di Acla a Floristella 殘酷的這部影片講述一個(gè)年輕的意大利男孩，幾乎是賣給運(yùn)營(yíng)商的硫磺礦，在那里他被毆打的剝削和性騷擾
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
別開門
徐立,曲少石,楊瓏,劉著,劉金,曹禹澄,李鶴楠,趙洪紀(jì),李昕芮,王昌,熊競(jìng)宇云南某小鎮(zhèn)上的一家客棧，浪蕩不羈的老板楊浩（曲少石 飾）與女服務(wù)員鬧鬧（曹蕾 飾）有染，還想方設(shè)法勾搭實(shí)習(xí)女服務(wù)生曉菲（徐立 飾）。柳經(jīng)理看在眼里，忍氣吞聲。這一天，楊浩的發(fā)小蹦燈兒（李鶴楠 飾）海外留學(xué)歸來。兩個(gè)好朋友一個(gè)德行，都有著輕浮虛化的言行。為了給好友接風(fēng)，楊浩召集柳經(jīng)理、曉菲、鬧鬧、后廚的仙爺、華子、小胖等人大擺筵席。夜深人靜，安靜的小院內(nèi)響起了陰冷清脆的高跟鞋聲，接著一個(gè)披頭散發(fā)的女人影影綽綽出現(xiàn)在各個(gè)角落?！ ⌒膽压硖サ膫€(gè)人，將經(jīng)歷最恐怖的一夜……
治療尸
陳郡君,張立昂,蔡子,陳沛興,鐘麗芬,劉芷希如果靈魂離開了身軀，肉體還是正?；顒?dòng)，該怎么去解釋這種生命形態(tài)？余燕（陳郡君飾）早晨醒來便覺得身體有異常，先后與家人和男友許德（張立昂飾）發(fā)生爭(zhēng)執(zhí)，盛怒的余燕轉(zhuǎn)身離去，隨后發(fā)生車禍。經(jīng)醫(yī)生搶救逃過死劫，卻找不到心跳。此時(shí)她被劫走，醒來后身處在地下密室，研究失魂者的胡教授解釋余燕會(huì)失去魂魄，是因?yàn)閮?nèi)心有強(qiáng)烈的負(fù)面磁場(chǎng)，一旦受到?jīng)_擊，靈魂就會(huì)脫離身體。余燕需要在72小時(shí)內(nèi)把自己的靈魂找回來，才能夠恢復(fù)正常。
毛骨悚然撞鬼經(jīng) 2011夏季特別篇
片平渚,蘆田愛菜,南澤奈央,戶次重幸,武井咲,岡本梓,中山優(yōu)馬,向井理,木村文乃,半海一晃,稻垣吾郎《奇怪的末班車》高中生三上圭介結(jié)束了學(xué)校的社團(tuán)活動(dòng)已是深夜，他好不容易等來了末班車，車上的氣氛卻十分詭異；《同學(xué)會(huì)的通知》放棄了美大的夢(mèng)想，女孩小山今日香正在參加補(bǔ)習(xí)，某天她收到一通小學(xué)同學(xué)會(huì)的電話留言，于是和好友惠相約前往那個(gè)未知的所在；《惡夢(mèng)十三日》人生正逢低谷的青年高崎圭太（向井理 飾）好不容易找到一份能夠提供宿舍的工作，可是他所在宿舍房間每到深夜2點(diǎn)就會(huì)傳來奇怪的聲音；《深淵迷路孩童》小女孩彩香（蘆田愛菜 飾）獨(dú)自住院，某天夜里她結(jié)識(shí)了自稱住在老樓的輪椅姐姐，兩人成了好朋友；《憤怒的紅寶石》寶石設(shè)計(jì)師川原美里受雇對(duì)一枚紅寶石進(jìn)行改造，結(jié)果遭遇了最為離奇的一段經(jīng)歷。
阿特拉斯聳聳肩2
薩曼莎·瑪西絲,杰森·貝蓋,埃塞·莫拉雷斯,帕特里克·法比安,金·羅德斯,理查德·T·瓊斯,D·B·斯威尼,保羅·麥克蘭尼,約翰·魯賓斯坦,羅伯特·皮卡多,雷·懷斯,戴德里克·巴德,巴格·霍爾,阿爾耶·格羅斯,瑞克斯·林恩Feature adaptation of the 1957 novel by Ayn Rand.
跟我○○○就能紅
青山泰菜,竹田光稀,円谷優(yōu)希,十代修介,富樫未來,佐藤仁,森岡里世,大地洋輔,八木將康,川瀨陽太地方から上京してマンガ家を目指すヒロインが戀に仕事に奮闘する本作。原作は実體験をもとにした香穂のマンガ「俺とSEXすれば売れる」だ。エロい中年マンガ家や若いアシスタントに次々と手を出す中堅(jiān)マンガ家など、危うい先輩たちに囲まれながら向上心を保ち邁進(jìn)していく主人公?香穂をミスFLASH2022 セミファイナリストの青山泰菜が演じた。
阿特拉斯聳聳肩2
薩曼莎·瑪西絲,杰森·貝蓋,埃塞·莫拉雷斯,帕特里克·法比安,金·羅德斯,理查德·T·瓊斯,D·B·斯威尼,保羅·麥克蘭尼,約翰·魯賓斯坦,羅伯特·皮卡多,雷·懷斯,戴德里克·巴德,巴格·霍爾,阿爾耶·格羅斯,瑞克斯·林恩Feature adaptation of the 1957 novel by Ayn Rand.