馬斯頓教授與神奇女俠

★ 7.9 播放：15萬 更新：2026-04-27

神奇女俠創(chuàng)造者、著名心理學(xué)家威廉 馬斯頓博士是位擁有兩位長期伴侶的BDSM愛好者，一位是同為心理學(xué)家的妻子，另一位是他從前的學(xué)生。三人關(guān)系和睦，甚至在他去世后，兩位女性還在一塊撫養(yǎng)孩子。 　　

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劇情簡介

神奇女俠創(chuàng)造者、著名心理學(xué)家威廉 馬斯頓博士是位擁有兩位長期伴侶的BDSM愛好者，一位是同為心理學(xué)家的妻子，另一位是他從前的學(xué)生。三人關(guān)系和睦，甚至在他去世后，兩位女性還在一塊撫養(yǎng)孩子。 　　

導(dǎo)演精選

喋血密令

　　明正德年間，禁衛(wèi)百戶耿烈因欽差被殺貶為捕頭。此時寧昌府發(fā)生連串命案，波及寧王壽宴，耿烈奉命追查。為寧王獻畫富商被毒殺，刺殺欽差的女殺手再次出現(xiàn)，這一切讓耿烈意識到寧昌府醞釀的風(fēng)暴，將會改變大明的朝局。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

奪寶生死戰(zhàn)

　　到2068年，地球上的臭氧消失了，因此，猛烈的、無法控制的風(fēng)暴正在夷平它的表面。一小群軍事幸存者是人類的最后的捍衛(wèi)者,當隊長約翰庭院是找到一份工作前戰(zhàn)友拉皮埃爾,他現(xiàn)在是受雇于帝國,一個eco-profiteer,為了拯救他的父親和其他幾位幸存者中庭同意。他和一小群雇傭兵要闖入幾乎不可滲透的文森特遺產(chǎn)和找回?zé)o價的“藝術(shù)”，儲存在那里的啟示之前。但是有一種致命的電腦控制的防御系統(tǒng)叫做“加密”，他們必須繞過它，還有一個殺手機器人叫做Rook &類似人類的全息安全主管Diana，她掌握著地球完全毀滅的鑰匙——或者說是完全的拯救。