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驅魔
勞拉·琳妮,湯姆·威爾金森,詹妮弗·卡朋特,坎貝爾·斯科特律師艾琳（勞拉·琳妮 Laura Linney 飾）接到一樁官司。一名神父由于用宗教手段——驅魔儀式來治療女孩艾米莉的重病，因而使得艾米莉耽誤了正確的藥物治療時間。法庭上，一場宗教與科學之爭展開了。 事件的開端，源于19歲女大學生艾米莉（珍妮弗·卡彭特Jennifer Carpenter飾）的恐怖遭遇。她在大學宿舍睡覺時，感覺有靈異惡魔來侵，接下來更為驚悚的事情陸續發生。艾米莉一反常態，她變得雙眼發黑，行為怪異，整日活在猶豫惡魔纏身的夢魘中，艾米莉無法控制自己的意志，痛苦得生不如死。家人為她找來精神病醫生，卻毫無起色。無奈下，請來神父（湯姆·威爾金森 Tom Wilkinson 飾）一探究竟，才得知艾米莉被遠古六惡魔上了身。萬魔纏身的她，只有通過宗教儀式進行驅魔，才有可能逃出生天。 神父的驅魔并沒有挽救艾米莉，還引來了控告。無神論者卻認為，惡魔纏身是無稽之談。
死命必達
馬里奧·毛瑞爾,莎露彩·查金哈,Phuwanet Seechomphu,Marut Chumchonbun納特（馬里奧·毛瑞爾 飾）是個擁有靈異體質的外送員，他的工作因此變得與眾不同，他和兩位外送員好友經常接到奇怪的訂單，在深夜將詭異的物品送到毛骨悚然的地方。這種賺錢方式雖然不尋常，但大多數時候他和外送伙伴們通常能對這些恐怖經歷一笑置之。
大司機
瑪麗亞·貝羅,安·唐德,威爾·哈里斯,瓊·杰特,奧林匹婭·杜卡基斯,Jennifer Kydd小有名氣的驚悚小說作家苔絲·索恩（瑪麗亞·貝羅 Maria Bello 飾）受邀去某地進行演講，人生地不熟的她迷失方向，汽車還在某個根本沒有手機信號的地方爆胎。當她手足無措的時候，孔武健壯的卡車司機（威爾·哈里斯 Will Harris 飾）出現答應幫她更換輪胎，然而這個暴徒見色起意，對苔絲進行了殘酷的虐待，還把她丟在了一個浸泡著三四具女性尸體的坑道中。僥幸逃命的苔絲一路跌跌撞撞回到家中，她曾嘗試報警，卻最終三緘其口。在接下來的日子里，苔絲從混亂中理清頭緒，她決定用自己的方式向那只禽獸展開報復…… 本片根據斯蒂芬·金的短篇小說改編。
自由萬歲
華萊士·比里,里奧·卡利羅,菲伊·雷In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. Then a meeting with visionary Francisco Madero transforms Villa from an avenging bandit to a revolutionary general. To the tune of 'La Cucaracha,' his armies sweep Mexico. After victory, Villa's bandit-like disregard for human life forces Madero to exile him. But Madero's fall brings Villa back to raise the people against a new tyrant...
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster