軍中樂園

? 9.2 播放:56萬(wàn) 2026-04-24

海龍菜鳥小寶(阮經(jīng)天 飾)來(lái)到海天一色的金門,歡迎他的卻是魔鬼士官長(zhǎng)老張(陳建斌 飾)帶來(lái)的鐵血磨練。慘遭退訓(xùn)后,他被分發(fā)到有;軍中樂園 之稱的特約茶室,卻在這里遇到了新訓(xùn)中心的好友華興(王柏杰 飾),也發(fā)現(xiàn)了老張對(duì)阿嬌(陳意涵 飾)情有獨(dú)鐘的秘密,堅(jiān)守忠貞的他這時(shí)也被侍應(yīng)生妮妮(萬(wàn)茜 飾)吸引,展開了一段幽微的情愫 就當(dāng)一切看似美好之際,茶室出了意外,風(fēng)聲鶴唳下,小寶偶然間又得知了妮妮深藏心底的秘密!他的世界開始動(dòng)搖之際,變化接踵而至   

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劇情提要

海龍菜鳥小寶(阮經(jīng)天 飾)來(lái)到海天一色的金門,歡迎他的卻是魔鬼士官長(zhǎng)老張(陳建斌 飾)帶來(lái)的鐵血磨練。慘遭退訓(xùn)后,他被分發(fā)到有;軍中樂園 之稱的特約茶室,卻在這里遇到了新訓(xùn)中心的好友華興(王柏杰 飾),也發(fā)現(xiàn)了老張對(duì)阿嬌(陳意涵 飾)情有獨(dú)鐘的秘密,堅(jiān)守忠貞的他這時(shí)也被侍應(yīng)生妮妮(萬(wàn)茜 飾)吸引,展開了一段幽微的情愫 就當(dāng)一切看似美好之際,茶室出了意外,風(fēng)聲鶴唳下,小寶偶然間又得知了妮妮深藏心底的秘密!他的世界開始動(dòng)搖之際,變化接踵而至   

幕后花絮

尸油降

  阿坤(卡文英瑪諾泰 飾)是個(gè)孤兒,由村里強(qiáng)大的薩滿萊穆養(yǎng)大。他受雇驅(qū)魔,卻偷偷進(jìn)行黑魔法儀式,想提煉尸油賺錢迎娶心愛的女孩蘇伊,沒想到這觸怒了鬼魂、招致報(bào)復(fù)。此時(shí)蘇伊恰巧來(lái)找他,究竟阿坤能否以所學(xué)和信仰幫助自己和身邊的人死里逃生?

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.