即刻觀影
劇情賞析
編輯推薦
邪惡校園
尼古拉斯·霍普,Megan Drury,Will McDonald,Texas Watterston,Jack Ruwald艾美從又濕又冷的浴缸裡驚醒，發現自己似乎被軟禁在一所廢棄的學校。身邊一片漆黑又恐怖，斑駁的牆壁上有一些詭譎的塗鴉。在她遭軟禁期間，只能與腦中想法相依。身為一名醫生，同時也是妻子和悲傷的母親，始終無法認清兒子因為意外已長眠的事實，並認為兒子也被困在學校裡面。在這充滿敵意、超自然煉獄般的學校，深陷於黑暗與絕望的艾美極力想要找到她的兒子。她不斷打破「學校」的規則，隨著艾美遇到住在「學校」的恐怖邪惡生物，令人畏懼的超自然力量與內心恐懼接踵而至，到底她對抗的是這些恐怖的生物，還是自己的心魔呢?
奇幻西游：新世界
許光漢,劉冠廷,庾澄慶,邵雨薇,庹宗華,鐘欣凌,魏如萱,許展榮,許展瑞未來世界，科技與數據主宰一切，當舊城區變得又老又擠，以最新科技打造的新世界，成為人人向往的移居地，然而唯有貢獻值最高的菁英，才有資格入住。八戒（許光漢 配音）又懶又自私當然失格，但他為了讓奶奶（鐘欣凌 配音）過好日子，決定違背良心，與建商總裁牛魔王（庹宗華 配音）私下交易…… 影片將《西游記》搬到科幻場景，八戒化身賽博胖客，與理工男三藏（劉冠廷 配音）、火爆護衛悟空（庾澄慶 配音）、女機器人小凈（邵雨薇 配音），穿梭新舊混雜市景，探索幸福真諦。
血灑胭脂馬
羅伯特·蒙哥馬利,旺達·亨德里克斯在邊境城市圣帕布羅，為一年一度的“墨西哥嘉年華”做準備，加金到來了：強硬，神秘和簡潔。他的任務是：找到同樣神秘的弗蘭克雨果，顯然是為了報復；還是敲詐？FBI探員雷茨也在追捕難以捉摸的雨果。鎮上的每個人都是神秘的，尤其是皮拉，一個神秘的少年，跟隨加金四處，并預感到他的死亡。還包括一個經典的女性法塔萊和一個古老的旋轉木馬與一個粉紅色的馬…
惡魔的耳語
盧卡·奧利爾15歲的艾利克斯來自一個天主教家庭，他希望自己將來能成為一個牧師。當他無意中發現并打開了一個神秘的盒子之后，放出了一個一心要占據他身體的惡魔。艾利克斯必須找到辦法打敗這個一直在折磨兒童的古老的惡魔，否則將會毀掉他和所有他愛的人。
湯姆·賽格拉：好為人師
湯姆·賽格拉Tom Segura Fast-Tracking Fifth Original Netflix Special ‘Teacher’ For December Premiere
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster