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校園點(diǎn)將錄
李麗珍,谷峰,何啟南,陳山河,焦姣,陳松伶預(yù)科學(xué)校若智書院有一群成績堪憂思想活躍的學(xué)生,校董家的謝天(何啟南 飾)與謝地兄妹憑借老爸身份,即便留級也不擔(dān)心學(xué)業(yè);綽號水電工的嘉明為人老實(shí),暗戀同學(xué)白逸夢(陳松伶 飾),而白逸夢滿腦子言情幻想,全然沒有留意;李時(shí)珍(李麗珍 飾)因?yàn)樵谀咸窖笕簫u旅游,耽誤了開學(xué)日,在旅游期間,李時(shí)珍結(jié)識了香港青年戴運(yùn)河(陳山河 飾),運(yùn)河對時(shí)珍一見鐘情,不顧家人反對退掉美國大學(xué),趕到香港入讀若智書院。運(yùn)河的到來令謝天大為緊張,謝天屬意時(shí)珍日久,和死黨吳成材一直無法打動芳心,但也不能容忍運(yùn)河插手。校園內(nèi)一時(shí)掀起了一場多角戀愛的爭奪……校董面對惡作劇的學(xué)生們大為光火,聘請軍校老師對書院進(jìn)行軍事化管理,這引發(fā)了學(xué)生們的空前團(tuán)結(jié)……
皇家次子女秘密組織
格雷格·布瑞克,艾洛蒂·袁,斯蓋拉·阿斯丁,佩頓·伊麗莎白·李,奈爾斯·菲奇,阿什利·廖,伊莎貝拉·布萊克·托馬斯,諾亞·羅麥克斯,賈斯達(dá)達(dá),Derry Robinson,Olivia Deeble,Kenny Wong,Seth Mohan,Jadiel Dowlin,Xavier Schoppel一個(gè)現(xiàn)代王國Illyria的公主Sam,性格叛逆,是王位的第二繼承人。正當(dāng)Sam對王位的漠不關(guān)心值達(dá)到人生新高時(shí),她驚訝地發(fā)現(xiàn)自己有超能力,而且屬于一個(gè)長期以來偷偷摸摸保護(hù)全國和平的秘密組織。影片聚焦Sam的歷險(xiǎn):她加入了這個(gè)屬于最高機(jī)密的訓(xùn)練項(xiàng)目,目的是訓(xùn)練皇室的次子女們來肩負(fù)拯救世界的任務(wù)。
地下室居民
瑪利亞·埃沃利,Vanesa Restrepo,卡拉·雅道爾一晚,三位姊妹潛入一位參議員的家,欲偷走他透過賄賂得來的錢。進(jìn)行到一半時(shí),她們聽見地下室傳來奇怪的聲音,決定前往調(diào)查。她們發(fā)現(xiàn)一位看似受到殘忍虐待的女孩被綁在床上。 這個(gè)半身不遂的女孩請求她們救她,她們也決定幫她。但她們不知道的是,這個(gè)女孩並不是受到虐待,而是被一個(gè)強(qiáng)大的黑暗力量附身,它將打開另一個(gè)世界的大門。
標(biāo)錯(cuò)參
洪金寶,鐘鎮(zhèn)濤,王祖賢,梁珊,曹查理,陳友在一家珠寶貿(mào)易公司工作的肥丁(洪金寶)因是胖仔外加做人老實(shí),常被老板娘周太(梁珊)和其弟(曹查理)騎在頭上,重活臟活全要攬下不說,工作稍微出點(diǎn)錯(cuò)就會被罵得狗血淋頭。一日,他和在貨運(yùn)部工作的同事阿B(鐘鎮(zhèn)濤)一起按老板吩咐送鉆石給中東酋長,之后將所收錢款送往銀行的途中遭劫,周太和其弟不問青紅誣告兩人與劫匪是同伙。 越想越來氣的肥丁決定綁架周太以泄壓抑已久的怒火。在他準(zhǔn)備行動之時(shí),周家剛從美國歸來的女兒祖兒(王祖賢)正同后母周太發(fā)生激烈的爭吵,結(jié)果陰差陽錯(cuò)祖兒被他綁架,之后又被阿B綁至家中。肥丁在阿B的逼迫下無奈向周家索要贖金,一時(shí)笑料百出。
交響詩篇超進(jìn)化3
內(nèi)詳暫無簡介
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster