劇情簡介
明治中期,九州賭徒幫派矢野組組長被人暗殺,其獨女龍子(藤純子暫無內容飾)解散幫會,以父親尸體旁遺落的錢包為線索四處尋找兇手。龍子懷揣小太刀,五年間走遍全國各地的賭場,因出色的賭技而贏得“紅牡丹阿龍”的綽號。
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密室綁架
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懷舊者
朗貝爾·維爾森,薩繆爾·喬斯林,Scott HindsIn the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.
鐵血戰士:獵物
安伯·明迪桑德,達寇塔·比弗,戴恩·迪利格羅,斯托米·基普,米歇爾·史拉斯,朱利安·布萊克·安蒂洛普,斯蒂芬·馬蒂亞斯,Bennett Taylor,Mike Paterson,Nelson Leis,Tymon Carter,斯凱·佩列蒂耶,Harlan Blayne Kytwayhat,Corvin Mack,塞繆爾·馬蒂本片以300年前的科曼奇族為背景,講述了一個名叫納魯的年輕女子的故事,她是一位兇猛且技藝高超的戰士。她在大平原上一些傳奇的獵人陰影下長大,所以當危險威脅到她的營地時,她要保護她的族人。當她發現自己面對的獵物是一個高度進化的外星掠食者,且擁有先進的技術武器,一場惡戰開始了!
雙瞳
梁家輝,劉若英,戴立忍,大衛·摩斯,楊貴媚,林涵,郎雄由于兩年前揭發同僚貪污,臺北警官黃火土(梁家輝)被上級報復調入冷門的外事組工作,利益也曾連帶受損的新同事對他怒言相向,加上妻子清芳(劉若英)受不了他長期不回家要求離婚,黃火土感覺他的世界正在逐漸四分五裂。就在此時,三宗受害者的身份并無關聯的震驚了臺灣社會的離奇命案發生,法醫(楊貴媚)驗尸發現他們都是因中一種神秘的黑霉菌產生幻覺而死,因為缺乏此方面的人才,當局從美國請來此種案例的偵辦專家凱文萊特(David Morse)協助破案,黃火土重被任用。隨著一樁令所有人都目瞪口呆的事實的被發現,一場圍繞政治利益與民眾利益的斗爭也在黃火土和辦案伙伴李豐博(戴立忍)及整個警察隊伍之間展開。
奪魂醫生
Andrew Prine,Jason London,Carlos Lauchu在一個肅殺的夜晚,滿身傷痕的女孩西恩娜(艾麗森·蘭格 Allison Lange 飾)跌跌撞撞沖入公路。她隨即被送往醫院,在探員贊恩(詹森·倫敦 Jason London 飾)的詢問下,驚魂未定的西恩娜終于說出了那段恐怖經歷?! 芍芮?,她和同在醫科大學念書的好友斯科特(B.J. Britt 飾)、杰森(尼克·霍爾莫斯 Nick Holmes 飾)、本(C.J. Thomason 飾)、夏儂等人結伴外出游玩。他們駐留在一所古堡,看似一切充滿了刺激和樂趣,但是這份無上喜悅很快便蒙上一層陰影。在他們身后,似乎有一個手執手術刀的奪命醫生蠢蠢欲動,死神的腳步越來越近。這群躊躇滿志的未來醫生,儼然成為了手術臺上的致命犧牲品……
惡夜勒贖
費爾南多·卡約,曼努埃拉·貝列斯,阿娜·瓦格納,德里坦·比巴平靜的一天,事業小有成就的中年男子杰米(費爾南多·卡約 Fernando Cayo 飾)和妻子瑪爾塔(安娜·瓦格納 Ana Wagener 飾)、女兒伊莎(曼紐拉·維拉斯 Manuela Vellés 飾)搬入了夢寐以求的大房子內。正當一家人爭論晚上該不該一起度過時,三個蒙面歹徒闖入房中。為了保護家人的安全,杰米積極配合,抄下了信用卡號碼并交出手機,并隨同歹徒的首領外出取錢。他時刻尋找機會報警,卻不知自己所面對的是根本不會妥協的冷血惡魔。另一方面,不斷有訪客扣響杰米家的房門,恐慌的瑪爾塔母女則想盡一切辦法逃脫,似乎又讓一切變得更加糟糕?! ∷茻o止境的長夜,愈加黑暗幽冷……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster