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韓國(guó)制造的我
普里揚(yáng)卡·阿魯莫漢,樸惠珍一位來(lái)自泰米爾納德邦小鎮(zhèn)的女子移居夢(mèng)寐以求的韓國(guó)，卻難以在異國(guó)他鄉(xiāng)站穩(wěn)腳跟。
養(yǎng)鬼吃人3
Terry Farrell , Paula Marshall , Kevin Bernhardt , Doug Bradley在經(jīng)歷了前兩集的失敗之后,修道士還不死心.他發(fā)現(xiàn)那個(gè)邪惡的魔方被一個(gè)花花公子買走了,于是他以這個(gè)花花公子做誘餌來(lái)吸引犧牲品,在人間大開殺戒.修道士打算把魔方毀去,這樣他就永遠(yuǎn)不用再回到地獄.但是一個(gè)女記者發(fā)現(xiàn)了這些可怕的兇殺案,并將修道士又一次送回了地獄.....
追惡
釋小龍,王真兒,劉峰超,劉怡潼山村拐賣猖獗，警察池峰孤身潛入尋兇，地窖救人、村民暴動(dòng)、夜總會(huì)血戰(zhàn)，誓要以暴制暴守衛(wèi)法律公道。
無(wú)瑕修女
西德尼·斯維尼,西蒙納·塔巴斯科,阿爾瓦羅·莫奇,貝內(nèi)黛塔·波爾卡羅利,朵拉·羅馬諾,吉皮耶羅·朱迪卡,喬治·科蘭杰利塞西莉亞（西德妮·斯威尼 飾）是一個(gè)非常虔誠(chéng)的修女，她來(lái)到意大利鄉(xiāng)間修道院開始新生活，卻在這個(gè)幾乎全是女人的地方意外懷孕，原來(lái)這里隱藏著黑暗和可怕的秘密。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
密室綁架
杰拉·哈斯,克雷蒙斯·施伊克,馬克斯·馮·德·格羅本兩個(gè)蒙面人在街上綁架了一個(gè)女人并向其索要贖金，他們將她綁了起來(lái)并且堵住了她的嘴巴，但這個(gè)女人憑借自己有限的力量破壞了綁匪精心策劃的計(jì)劃。