春香傳的陽光房

2.4 播放:43萬 更新:2026-04-28
主演:??? ?? ?? ?? 

18世紀后期朝鮮淑宗時代,前院副使公子李夢龍(曹承佑飾)在端午節那天遇到了成春香(李孝貞飾),一個母親曾是妓女的美麗少女。嬌俏的春香留下句謎語給他,“大雁隨魚飛,蝴蝶隨花舞,小蟹隨貝居”。夢龍左思右想,終于猜到謎底,晚上前去拜會春香。盡管地位懸殊,倆人的感情日益加深。然而,好夢不長,夢龍父親因為政績顯著,升遷至大內,夢龍必須離開南原趕赴漢城,他許諾等他通過了殿試,必將把春香接到漢城作為合法妻子。南原御使卞學道(李政憲飾)看中春香美貌,搬出法律條文“一入娼門則永世為妓”誣陷春香是妓女。春香寧死不屈,惱羞成怒的御使毒打她,并以莫須有的罪名將她投入牢獄。春香唯一的依靠就是她的信念和夢龍的誓言。幸好此時夢龍已中狀元,成為欽差大臣來到當地,他拯救出春香并懲罰了御使的惡行

播放通道

詳細簡介

18世紀后期朝鮮淑宗時代,前院副使公子李夢龍(曹承佑飾)在端午節那天遇到了成春香(李孝貞飾),一個母親曾是妓女的美麗少女。嬌俏的春香留下句謎語給他,“大雁隨魚飛,蝴蝶隨花舞,小蟹隨貝居”。夢龍左思右想,終于猜到謎底,晚上前去拜會春香。盡管地位懸殊,倆人的感情日益加深。然而,好夢不長,夢龍父親因為政績顯著,升遷至大內,夢龍必須離開南原趕赴漢城,他許諾等他通過了殿試,必將把春香接到漢城作為合法妻子。南原御使卞學道(李政憲飾)看中春香美貌,搬出法律條文“一入娼門則永世為妓”誣陷春香是妓女。春香寧死不屈,惱羞成怒的御使毒打她,并以莫須有的罪名將她投入牢獄。春香唯一的依靠就是她的信念和夢龍的誓言。幸好此時夢龍已中狀元,成為欽差大臣來到當地,他拯救出春香并懲罰了御使的惡行

同類推薦

猩球崛起

安迪·瑟金斯,詹姆斯·弗蘭科,芙蕾達·平托,約翰·利思戈,布萊恩·考克斯,湯姆·費爾頓,泰勒·萊伯恩,卡琳·考諾娃,泰瑞·諾塔里,理查德·賴丁斯,克里斯托弗·戈登,德文·達爾頓,杰·卡普托,大衛·奧伊羅,杰米·哈里斯

  為了能讓身患老年癡呆癥的父親重回正常的生活,威爾·羅曼(詹姆斯·弗蘭科 James Franco 飾)一直致力于名為“Cure”的基因藥物的開發,并在大猩猩身上不斷進行著藥物試驗。在公司已經失去信心的同時,威爾繼續在家完成試驗,并在一只名為凱撒的大猩猩身上獲得成功。借助靈長類學家卡洛琳(芙蕾達·平托 Freida Pinto 飾)的幫助,威爾發現凱撒的智力極大地提高。不過,人類的社會始終無法接受擁有極高智力的凱撒,凱撒被送往了猩猩看護所。看護所的殘酷對待,使得凱撒利用智慧進行抗爭,最終救走了同時被囚禁的其他猩猩,而且對它們都使用了Cure。一群高智商的猩猩與人類對立的戰爭就此拉開。本片獲得了第84屆奧斯卡最佳視覺效果的提名。

數碼寶貝大電影五:冒險者的戰斗

野澤雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野愛,三石琴乃,小野健一,佐伯志,松尾銀三,津久井教生,坂本千夏,小杉十郎太

  快樂的暑假開始了,啟人(津村真琴 配音)為了掃墓來到了風光秀麗的沖繩,在海邊,他和阿海(佐伯鵬 配音)一起救下了一位名為美波(三石琴乃 配音)的少女,后者遭到了數碼獸的攻擊,這些數碼獸的目標,似乎是美波所攜帶的一臺筆記本電腦,在電腦里究竟隱藏了怎樣的秘密?讓啟人感到意外的是,美波的遇險催生了數碼寶貝石獅獸(津久井教生 配音)的誕生,它的使命為何?  啟人發現,在風靡全球的電子寵物V-Pet背后,隱藏著一個驚人的秘密,貪婪邪惡的曼法斯獸企圖通過虛擬的數碼獸摧毀人類世界,實現它建立數碼世界的野心。面對強大的對手,啟人和朋友們該何去何從?

養鬼吃人5:直闖地獄

洛杉磯警探喬瑟夫(克萊格·謝菲爾 飾)是個標準敗類,嗑藥嗑得比誰都勤快,調查命案不忘順手牽羊,更枉顧家中妻小,專搞迷人可愛的阻街女郎。一宗幼童謀殺案現場,喬瑟夫撿回一只受過詛咒的奇異盒子,打開后怪事不斷一樁接一樁:昨夜搞上的妓女意外身亡,他瞬間成為頭號嫌疑犯;一連串似幻似真的恐怖體驗更不斷尾隨,無臉怪人四處追殺人群,《養鬼吃人》系列當家猛鬼-針頭鬼(Pinhead)也重出江湖,一個頭兩個大的喬瑟夫該如何解決這謎一般的虛實夢魘?本片改編自克里夫巴克(Clive Barker)恐怖小說「受地獄羈絆之心」The Hellbound Heart,這顆壞心腸的主人正是故事男主角喬瑟夫,身為警察的他自身行為不檢點也罷,涉嫌謀殺難以脫罪的他竟然嫁禍好同事,善惡終有報,惡徒喬瑟夫果然陷入萬劫不復的魔鬼夢魘,活著比死更痛苦。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

開著我的房車去旅行

秦宇,李芷珺,姿娜,王坤炎

  影片講述了主人公周云飛因為夢想,踏上了自己的房車之旅,在旅程中他經歷了許多事情,也體會到了很多道理。人生就是一場旅行,你一定要讓你自己的人生,活的精彩,活的有價值。就這樣,周云飛向著他新的人生方向奔赴而去的故事。