我的寶藏
別名：情色寶藏、我的寶貝、妓海苦雛、后街天使、噢；我的寶貝;金子是個十來歲的女孩，大部分時間她都在照料母親露絲。露絲曾是個隱君子，盡管現在戒掉了，但是幾乎沒有能力照顧自己，更不用說養家糊口。于是這個家庭重擔落在了;金子;身上。但是，另一方面;金子也要兼顧自己的學業，否則她的前途將失去方向。她將如何在兩者間作出選擇呢？分享十八歲的阿娥（Or）為母親能離開皮肉生涯而拼命工作，維持生計，過著窮困的生活；母親對流鶯的生活仍未能淡忘，在女兒半求半逼之下回到正常人的軌道上當家傭，可是不羈的母親每逢入夜便偷偷上街出賣年老色衰的軀體，令女兒傷心欲絕；面對生活壓力和情欲的折磨，女兒最后步母親的后塵，墮入妓海，取代母親的位置。
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你留下的痕跡
麥卡·夢露,泰里克·威瑟斯,布萊德利·惠特福德,勞倫·格拉漢姆,希拉里·杰迪妮,詹妮弗·羅伯遜,魯迪·潘科,萊尼·威爾遜,尼古拉斯·杜威內,佐伊·科索維奇,Rick Koy,Susan Serrao,Anne Hawthorne,Monika Myers,Laird Reghenas,Kevin Corey,Bud Klasky,羅里·埃德加影片改編自科林·胡佛2022年出版的暢銷小說，講述一段關于母性、寬恕，以及愛的力量是如何修復最嚴重錯誤的動人旅程。在和男友有一次看似完美的約會之后，肯娜（麥卡·夢露 飾）犯下一個無法彌補的錯誤，使她被送進監獄。七年后，她回到懷俄明州的家鄉，希望能夠重新建立她的人生，并且爭取與她從未見過的女兒蒂恩母女團圓的機會。當擁有蒂恩監護權的祖父母堅決拒絕讓肯娜見她的女兒時，她卻意外地在一位前美式足球球員以及當地酒吧老板的雷杰（泰里克·威瑟斯 飾）身上找到意想不到的同情心以及更真實和深切的情感。隨著他們的秘密戀情逐漸發展，他們兩個人也面對越來越多的危險，這把肯娜逼向心碎的邊緣，然而，最終也讓她有希望得到第二次機會。
驚蟄無聲
易烊千璽,朱一龍,宋佳,雷佳音,楊冪,張譯,劉詩詩,劉耀文,林博洋,潘斌龍,姚安娜,段奕宏,陳明昊,江奇霖,王圣迪,黃炎,飛凡你看不見的地方，諜戰從未停止交鋒！我國最新戰機的涉密信息外泄，國家安全面臨威脅，國安小組迅速行動抓捕間諜，在信任與背叛的漩渦中，一場驚心博弈悄然上演……
河流如血
泰雅·迪格斯,約翰·庫薩克,喬治·洛佩茲,盧克·海姆斯沃斯,Gianni Capaldi,布萊恩娜·伊維根,RJ·米特,Steven Berrebi,賈克琳·弗萊明,陶竤,伊薇特·帕里什The son of an African-American Judge is killed by police officers on the day he was set to begin law enforcement academy. When the courts clear the officers of wrongdoing, the Judge must decide whether the courts are the only arbitrators of justice.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
超級倉鼠3：松鼠奇謀
A little girl has secret superpowers but can’t use them when a highway project is threatening the nearby forest. Desperate to save it, she invents an elaborate lie about an endangered flying squirrel inhabiting the woods.
扭曲
克里斯蒂娜·里奇,布蘭登·弗萊徹,維斯勒·夏農,約翰·庫薩克,妮科爾·安東尼,奧利弗·萊斯,斯科特·奧林克,安杰拉·奎恩,巴里·納林,朱麗婭·馬克斯維爾,馬特·布朗32歲的勞倫·柯倫（克里斯蒂娜·里奇）和丈夫羅素（布萊登·佛雷切）搬進了設備先進齊全的新公寓。剛剛因為失去孩子而遭受了心理創傷患躁郁癥的勞倫對公寓的安保監控系統很滿意，但隨后發現公寓里有些不對勁，她懷疑酒店的擁有者暗中非法操控住在其中的用戶，但她的丈夫認為這些都是她的想象。勞倫獨自開始調查建造公寓的公司，并雇傭了一個幫手-陰謀論者弗儂·沙斯菲爾德（約翰·庫薩克）。弗儂認為這間公寓是個試驗場所，里面的住戶是個巨大洗腦陰謀的小白鼠。隨著調查深入，勞倫也遇到了生命威脅……