關于她的五段情事
Five Hot Stories for Her五個熱門故事:收錄了5個短電影:專門為女xing和伴侶。Erika提出了五種現代城市,辛辣和色情故事具有自然、真實xing。 在M的一名足球運動員的妻子陰謀背叛自己的一個精巧的和制造xing的報復。 一些關于NADIA隔行三名婦女的故事體現祂們無法操縱的愿望奇異而迷人的納迪亞。 結婚生子介紹弗蘭克和麗塔已結婚八年來,有兩個年幼的孩子,并通過所有賬戶都厭倦了祂們的婚姻,厭倦了對方。但祂們是什么隱秘隱藏嗎? 在分手xing兩個侽同xing戀者在最后一次見面的xing接觸 一個高xing能的exec花許多時間考慮xing卻取決于她的欲望,從不需要主動 hellip;直到現在。 五對都市人的xing欲現實電影,有未婚情侶。夫妻。同xing戀.青年中年
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開心勿語
梅艷芳,曾志偉,吳君如,蔡一杰,蔡一智肥龍過江
甄子丹,毛舜筠,周勵淇,王晶,林秋楠,張繼聰,竹中直人,丞威,渡邊哲,王祖藍,詹瑞文,陳友,伍允龍,林曉峰,周俊偉,林盛斌,泰臣,葉山豪,嚴華,喻亢,馮勉恒大熊
亞當·布羅迪,泰勒·萊伯恩,巴勃羅·施瑞博爾,托比·哈斯,喬伊·科恩,扎克里·奈頓,Heidi Heaslet坐白車的女人
鄭麗媛定時拍攝
丹妮爾·帕娜貝克,馬特·歐萊瑞,阿明·約瑟夫,莎朗·摩翰,喬治·芬,杰森·斯皮薩克,David Figlioli,Judith Drake,Mark C. Hanson一個明星的誕生1937
珍妮·蓋諾,弗雷德里克·馬奇,阿道夫·門吉歐,梅·羅布森,安迪·德懷恩,萊昂內爾·斯坦德,歐文·摩爾,佩吉·伍德,埃德加·肯尼迪,J·C·紐金特,吉恩·威廉姆斯,簡·阿克,Eric Alden,歐文·培根,Jane Barnes,文斯·巴尼特,克拉拉·布蘭迪克,韋德·博特勒,西德尼·布雷西,Harry C. Bradley,Lynton Brent,海倫·查德維克,喬治·錢德勒,Virginia Dabney,Billy Dooley,赫伯特·埃文斯,雷克斯·埃文斯,帕特·弗萊厄蒂,弗朗西斯·福特,Tri同類推薦
遠山淡影2025
廣瀨鈴,二階堂富美,吉田羊,卡米拉·愛子,松下洸平,三浦友和,柴田理惠,渡邊大知,鈴木碧櫻1982年,英國。一位年輕有抱負的日英混血作家準備書寫其母親——1952年,英國。戰后移英的日本婦人悅子,因長女自殺而憶起在長崎的最后一段時光。悅子與婦人幸子相遇,幸子也準備和女兒出國,對新生活翹首以待。然而,作家在拼湊線索及母親的記憶碎片時,漸漸發現母親的記憶與現實相左.…..石川慶改編諾貝爾文學獎得主石黑一雄早年同名原著,雙線刻劃戰后女性掙扎求存之境,表面平靜實質波瀾不休,折射出大時代下壓抑而沉重的集體記憶與痛苦。
奸人本色
董驃,許冠英劉父半生積蓄被奸商所騙,更在法庭敗訴,郁郁而終,死前托女兒小云找奸人家族報仇。奸人家族一早不值奸商所為,設下以奸治奸的圈套,不料簡仁與簡貴為爭小云歡心,被奸商利用……
給我你的愛2
塔布,阿賈耶·德烏干,馬達范,妮哈.沙爾瑪,拉庫爾·普雷特·辛格Love faces its toughest test yet as Ashish visits Ayesha's family home. Will the age-gap romance win hearts or stir things up? This Pyaar vs Parivaar clash promises a relatable, riotous ride for every kind of audience.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
圣誕老人-N:紅色覺醒
謝爾比·斯旺森,保羅·A·羅西,小比利·約瑟夫一個偏遠小鎮被一個披著傳統外衣、陰暗扭曲的人物所困擾,他將歡樂化為恐懼。這部心理恐怖小說融合了民間傳說、恐懼和生存元素,講述了一個令人毛骨悚然的全新故事。