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我老婆不是人
梁家輝,關(guān)之琳,胡楓,陳雅倫,周文健,梅小惠,鄭丹瑞,黎彼得,張堅(jiān)庭建筑師托尼（梁家輝 飾）的個(gè)性十分木訥老實(shí)，以至于他暗戀同時(shí)艾琳（陳雅倫 飾）多年，卻總也鼓不起勇氣表白，更糟的是，艾琳已有一位感情親密的男友，托尼的單戀似乎注定不會(huì)有結(jié)果。一次偶然中，托尼被猛鬼纏身，索性得到名為嘉嘉（關(guān)之琳 飾）的女鬼相助才得以脫身，也正因?yàn)檫@件事，托尼擁有了能與嘉嘉心意相通的特異功能。 得知了托尼的苦戀，熱心的嘉嘉決定幫他一把，一番波折之后，艾琳終于離開(kāi)了男友，投入了托尼的懷抱，可是，直到這時(shí)，托尼才發(fā)現(xiàn)自己其實(shí)早已經(jīng)深深的愛(ài)上了嘉嘉，無(wú)奈人鬼殊途，無(wú)法承受分離之苦的托尼竟然決定殉情。
不死之人
安東·迪夫倫,哈澤爾·考特,克里斯托弗·李邦納博士計(jì)劃通過(guò)更年輕、更健康的人類受害者周期性的腺移植來(lái)永生。邦納看起來(lái)大約40歲，他真的104歲了。但是人們開(kāi)始懷疑了，他可能不會(huì)到200歲。
雙龍出海
吳耀漢,葉德嫻,惠英紅貝多芬（岑建勛 飾）和阿秋（吳耀漢 飾）是一對(duì)好朋友，也是搞笑鬼馬的便衣搭檔。他們常將警局鬧得不可開(kāi)交，連上司陳辦（陳欣建 飾）也頭疼不已。不過(guò)，自從阿秋和安娜（葉德嫻 飾）結(jié)婚之后，貝多芬就變得孤苦伶仃，可憐兮兮。最終貝多芬搬到了阿秋家，和這對(duì)小夫妻湊成一個(gè)笑料百出的三人世界。 陳辦不堪其擾，將二人調(diào)到素有“鯊魚(yú)田”之稱的田警司（田俊 飾）麾下，兩人被好好整了一番，苦不堪言。另一方面，陳辦在執(zhí)行任務(wù)時(shí)被多年前的宿敵飛天蠄蟧（林正英 飾）陷害。貝多芬和阿秋深知老上司被冤枉，于是明察暗訪，發(fā)誓揪出幕后真兇……
北京猿人
緒形直人,王祖賢,哀川翔,丹波哲郎,坂上忍,小野賢章侵華戰(zhàn)爭(zhēng)時(shí)期，日本人將掠得的北京猿人頭骨偷運(yùn)回國(guó)，途中沉沒(méi)，成為一樁疑案。當(dāng)年日本人將頭骨化石偷運(yùn)回國(guó)，隱藏幾十年后，在和平環(huán)境下重新進(jìn)行研究。他們將頭骨化石中的DNA殘片提取出來(lái)，進(jìn)行培育，然后送入太空，據(jù)說(shuō)這樣便可以憑借太空中的粒子幅射，使其蘊(yùn)育成熟。不料，載著北京猿人胚胎的飛船失事，墜入海島，而北京猿人卻成功地誕生了。 而王祖賢扮演的中國(guó)美麗女間諜的使命就是將北京猿人偷運(yùn)回國(guó)，從此便和日本科學(xué)家展開(kāi)了明爭(zhēng)暗斗。最后，雙方不分輸贏，而是達(dá)成了共識(shí)：北京猿人不是任何一國(guó)的財(cái)富，他們屬于大自然。于是，猿人一家三口和一只同樣由基因技術(shù)復(fù)制出來(lái)的猛瑪象被放歸了自然。
紅杉林殺人魔
馬可·伍德,Lisa Cameron,Lisa Livingstone五個(gè)熱衷冒險(xiǎn)的朋友來(lái)到都市傳說(shuō)中的謀殺案發(fā)地點(diǎn)，準(zhǔn)備享受充滿刺激與驚悚的露營(yíng)週末，但是他們很快就發(fā)現(xiàn)，徘徊於此的不是只有他們五人，一個(gè)神秘殺手悄悄接近，本該要縱慾狂歡的野外假期，瞬間變調(diào)成為致命夢(mèng)魘......
那個(gè)人在想什么事情
John Price,Preben Neergaard,Lotte TarpThe main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.