劇情縱覽
布宜諾斯艾利斯的一位年輕母親找到了一份性工作者的工作,并按照應(yīng)該保護(hù)她的法律努力生活。
布宜諾斯艾利斯的一位年輕母親找到了一份性工作者的工作,并按照應(yīng)該保護(hù)她的法律努力生活。
《奇怪的末班車(chē)》高中生三上圭介結(jié)束了學(xué)校的社團(tuán)活動(dòng)已是深夜,他好不容易等來(lái)了末班車(chē),車(chē)上的氣氛卻十分詭異;《同學(xué)會(huì)的通知》放棄了美大的夢(mèng)想,女孩小山今日香正在參加補(bǔ)習(xí),某天她收到一通小學(xué)同學(xué)會(huì)的電話(huà)留言,于是和好友惠相約前往那個(gè)未知的所在;《惡夢(mèng)十三日》人生正逢低谷的青年高崎圭太(向井理 飾)好不容易找到一份能夠提供宿舍的工作,可是他所在宿舍房間每到深夜2點(diǎn)就會(huì)傳來(lái)奇怪的聲音;《深淵迷路孩童》小女孩彩香(蘆田愛(ài)菜 飾)獨(dú)自住院,某天夜里她結(jié)識(shí)了自稱(chēng)住在老樓的輪椅姐姐,兩人成了好朋友;《憤怒的紅寶石》寶石設(shè)計(jì)師川原美里受雇對(duì)一枚紅寶石進(jìn)行改造,結(jié)果遭遇了最為離奇的一段經(jīng)歷。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
改編自斯蒂芬·金小說(shuō)。是2019年那部寵物墳場(chǎng)的前傳。講述1969年賈德·克蘭德?tīng)柊l(fā)現(xiàn)了一段黑暗的家族史:一個(gè)神秘墳場(chǎng)里被埋葬的人和動(dòng)物都會(huì)復(fù)活,但事情絕沒(méi)有看起來(lái)那么簡(jiǎn)單。
姐妹Nora和Agnes與疏遠(yuǎn)的父親——魅力非凡的導(dǎo)演Gustav重聚。這位昔日名導(dǎo)試圖讓舞臺(tái)劇演員Nora參演自己寄予厚望的復(fù)出之作,卻遭女兒拒絕。Nora很快發(fā)現(xiàn),父親已將她的角色轉(zhuǎn)給了一位野心勃勃的好萊塢新星。突如其來(lái)的變故迫使兩姐妹直面與父親的復(fù)雜糾葛,而這位美國(guó)明星的加入,更讓本就微妙的家庭關(guān)系陷入新的波瀾。