劇情縱覽
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The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
故事發生在塞內加爾的大型建筑工地附近,晚上工人們與一名男子發生了沖突,男子的哥哥在工地因工傷喪生。
《一夜大肚》中的夫妻皮特(保羅·路德 Paul Rudd 飾)與黛比(萊斯利·曼恩 Leslie Mann 飾)如今年過四十,雖然黛比已經擁有一個不錯的精品店,皮特也開了自己的唱片公司,然而生活的暗礁還是漸漸圍困了這個家庭:不僅皮特開始需要借助“偉哥”,兩人的父母也年歲漸衰,需要供養,皮特的唱片店近來也在艱難維系,兩個還在上學的女兒更是每天把家里弄得雞飛狗跳。夫妻二人深感走入了愛情墳墓的同時,連生活的激情與樂趣也將要被消磨殆盡。黛比在與朋友談心之后,終于決定要挽救自己的婚姻,而此時,她已經懷上了皮特的第三個孩子…… 本片為導演在2007年的喜劇電影《一夜大肚》的一個獨立續集。