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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蜜戀合租
孫志強(qiáng),徐海文,謝雨欣安諾軒辭高薪逐寫作夢(mèng)，26歲遭男友陳強(qiáng)出軌并貶其夢(mèng)想，分手后陷窘境。閨蜜幫她招租，曾被她所救、暗戀她的蘇梓橋借機(jī)合租。兩人磨合中漸生情，雖因誤會(huì)分開，安諾軒卻知心意。蘇梓橋助她入職，共退聯(lián)姻對(duì)象華清泫，獲蘇母認(rèn)可，婚后安諾軒寫作終成。
鬼媾人
王晶,關(guān)之琳,陳百祥,夏文汐,曹查理,莫少聰凌兆祥（王晶 飾）和妻子（夏文汐 飾）開開心心地搬進(jìn)了新置的豪宅，準(zhǔn)備享受全新的生活。盡管豪宅里怪象頻出，佛學(xué)專家許禪（莫少聰 飾）亦給予了凌兆祥警告，但沉浸在興奮中的凌兆祥并沒(méi)有將這一切放在眼里。 妻子懷孕住進(jìn)了醫(yī)院，再度變回“單身漢”的凌兆祥怎么可能放過(guò)這次難能可貴的機(jī)會(huì)？他伙同損友歐公子（陳百祥 飾）和屈臣氏（曹查理 飾）外出狂歡，并且邂逅了美麗女子冰淇（關(guān)之琳 飾）。凌兆祥同冰淇一夜溫存，事后，對(duì)妻子心懷愧疚的凌兆祥決定斷絕同冰淇的往來(lái)，沒(méi)想到，不愿意放過(guò)他的，不僅僅是冰淇，還有冰淇身后那一干早已化作冤魂厲鬼的家人們。
魂游1871
Sam Groom,Tom Hallick,弗朗辛·約克,布思·科爾曼,理查德·貝斯哈特,Trish Stewart,沃爾特·布魯克,帕特里克·卡利頓,多爾特·克拉克,喬恩·錫達(dá),Gil Lamb,Ed Ness,Kathleen Bracken,理查德·韋伯,Victoria Paige Meyerink美國(guó)爆發(fā)xb疫情,科學(xué)家束手無(wú)策,歷史上曾有人治愈過(guò)該病,無(wú)奈資料被毀,科學(xué)家們只得使用時(shí)間機(jī)器回到過(guò)去尋找,不料卻遇到了1871芝加哥大火災(zāi)。。一部傷感的經(jīng)典科幻片，正大劇場(chǎng)好像播出過(guò)
功夫機(jī)器俠之南拳
陳虎,王智《功夫機(jī)器俠》將中國(guó)功夫和科幻機(jī)械完美結(jié)合，加上好萊塢最強(qiáng)動(dòng)作團(tuán)隊(duì)的打造，王智將大展身手，與好萊塢動(dòng)作演員陳虎同框pk實(shí)力對(duì)撞。
15年 15 Jahre
漢娜·赫茨施普龍珍妮曾被譽(yù)為“鋼琴天才”，但她因冤案而被判入獄15年。當(dāng)她遇到有歌唱天賦的敘利亞戰(zhàn)爭(zhēng)難民奧馬爾時(shí)，她同意在電視音樂(lè)選秀節(jié)目中為他彈鋼琴伴奏。在她的牢獄生活期間，她的初戀弗萊舍成為了一名流行歌星，并擔(dān)任了音樂(lè)選秀比賽的評(píng)委，而珍妮和奧馬爾則是其中很有望勝出的選手之一。在獄中度過(guò)這些痛苦的歲月后，現(xiàn)在是珍妮做出選擇的時(shí)刻：是報(bào)復(fù)，還是幸福和未來(lái)？
笨賊向前沖
馬有才,彤彤,杜玉明,許新宇,馬衛(wèi)軍,彭波,王川,劉剛,劉波,王泇淇城市最大的參行被盜，價(jià)值千萬(wàn)的野山參瞬間下落不明。推銷員馬有才事事都晚半拍，他為籌集一筆資金，鋌而走險(xiǎn)變成了一個(gè)空有盜竊名頭的盜竊人。主犯“獨(dú)眼”處心積慮想把同伙滅口卻不幸喪命。蕭文欲在盜竊人參計(jì)劃中獲利，卻偶遇苦尋的女友的未婚夫曹豐。案件在警官許峰的層層追查下更加撲朔迷離。人性的深情相付和鋌而走險(xiǎn)，讓所有人的關(guān)系和命運(yùn)錯(cuò)綜復(fù)雜......