巴迪的媽媽

毛骨悚然撞鬼經(jīng) 2022夏季特別篇

數(shù)碼寶貝大電影五：冒險者的戰(zhàn)斗

　　快樂的暑假開始了，啟人（津村真琴 配音）為了掃墓來到了風(fēng)光秀麗的沖繩，在海邊，他和阿海（佐伯鵬 配音）一起救下了一位名為美波（三石琴乃 配音）的少女，后者遭到了數(shù)碼獸的攻擊，這些數(shù)碼獸的目標(biāo)，似乎是美波所攜帶的一臺筆記本電腦，在電腦里究竟隱藏了怎樣的秘密？讓啟人感到意外的是，美波的遇險催生了數(shù)碼寶貝石獅獸（津久井教生 配音）的誕生，它的使命為何？　　啟人發(fā)現(xiàn)，在風(fēng)靡全球的電子寵物V-Pet背后，隱藏著一個驚人的秘密，貪婪邪惡的曼法斯獸企圖通過虛擬的數(shù)碼獸摧毀人類世界，實現(xiàn)它建立數(shù)碼世界的野心。面對強大的對手，啟人和朋友們該何去何從？

殺戮南瓜怪

　　萬圣節(jié)之夜，一位少女劇作家、她的弟弟和一群幸存者被困在一個可怕的村莊里：一群有著生命的南瓜開始攻擊人類，而這件事似乎在這個村莊的歷史上發(fā)生過。

阿特拉斯聳聳肩3

　　國家的經(jīng)濟正在快速崩潰，罪犯和黑暗勢力控制了整個國家，政府已經(jīng)無能為力，一個女人有了答案，她和其他人會不惜一切去找到他。他是誰？他是約翰.高爾特。本片獲得第35屆金酸莓獎提名最差翻拍、節(jié)選與續(xù)集。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

無情的城市

　　2012韓國電影《無情的城市》堪稱“韓國版《撞車》”，以9個人物為中心，講述他們在24小時內(nèi)發(fā)生的連環(huán)悲劇。李基英在片中飾演一位放高利貸的放債人，他放貸給面臨破產(chǎn)危機的金大宇(金石勛飾)，在金大宇沒能力償還高利貸后李基英就以此為借口威脅金大宇說要摘除他的臟器。特別是李基英在殺死自己的妻子后，當(dāng)他被指定為嫌疑人接受調(diào)查時面不改色、處變不驚、泰然處之的演技表現(xiàn)，令人感到毛骨悚然。