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劇情簡介
每晚都被鬼纏住并被迫發生性關系的兩姐妹的故事。該片獲邀參展第15屆全州國際電影節;韓國影片環節。兩姐妹在夢中被鬼強奸的場景、無法訴說傷痛的兩姐妹、以及不停跟蹤兩姐妹的某男人都被收入海報中,營造緊張恐怖氛圍。影片由因車禍失去雙親的兩姐妹被迫和鬼魂發生關系而開始,姐姐發現妹妹也被盯上后發誓不惜一切代價拯救妹妹,而此時還有一名奇怪的男人不停跟蹤妹妹,讓故事更加撲朔迷離..
同類好片
分秒間離
奧蘭多·瓊斯,Edmund Entin,Gary Entin我家的律師又惹麻煩了
室毅,木南晴夏,吉瀨美智子,菅野莉央,日向亙,入山法子,東根作壽英,本多力,早瀨憩,安達祐實,村川繪梨,松尾諭,時任三郎,酒向芳,戶田惠子,渡部篤郎,濱津隆之樂透大作戰
高庚杓,李伊庚,音文碩,樸世婉,郭東延,李俊赫我老婆不是人
梁家輝,關之琳,胡楓,陳雅倫,周文健,梅小惠,鄭丹瑞,黎彼得,張堅庭失落的世界1960
邁克爾·倫尼,大衛·海迪生,Jill St. Hedison,克勞德·雷恩斯,費爾南多·拉馬斯,理查德·海頓,Ray Stricklyn學園便利屋
古川登志夫,平松広和,関俊彥,荘真由美,塩沢兼人人氣佳作
圣山1973
亞歷桑德羅·佐杜洛夫斯基,霍拉西奧·薩利納斯,Zamira Saunders,胡安·費拉拉,阿德里安娜·佩奇 ,Burt Kleiner,Valerie Jodorowsky,Nicky Nichols,理查德·魯托夫斯基,Luis Lomelí,Ana De Sade,Chucho-Chucho,Letícia Robles,Connie De La Mora,David Kapralik,Jacqueline Voltaire,José Antonio Alcaraz,赫克托?奧爾特加,阿麗爾·朵巴絲奪命微笑2
娜奧米·斯科特,凱爾·加爾納,德魯·巴里摩爾,羅絲瑪麗·德薇特,盧卡斯·蓋奇,迪蘭·格魯拉,彼得·雅各布森,雷·尼科爾森,勞爾·卡斯提洛,達芙妮·澤利,邁爾斯·古鐵雷斯-賴利,Zebedee Row,Delphi Harrington,Micaela Lamas,David Peter White驅魔人:信徒
琳達·布萊爾,艾倫·伯斯汀,詹妮弗·內特爾斯,小萊斯利·奧多姆, 奧利維亞·馬庫姆,安·唐德,莉婭·朱厄特,拉法埃爾·沙巴拉格,諾爾貝特·里奧·布茨,本·布萊頓,克洛伊·特??冀z,E·J·博尼拉,莉茲·約翰斯頓,丹尼·麥卡錫,安東尼·科隆,諾拉·墨菲,奧奎·奧克波克瓦西里,埃米莉·雷切爾·戈登,塞萊斯特·奧利瓦,特蕾西·格雷夫斯尋愛之旅
麥克·辛,馬克·阿蒂,吉姆·卡特,馬克·斯特朗導演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
手機有鬼
安娜在床上醒來,腦袋因為前一夜的狂歡有些昏沉疼痛。她打開手機,發現新增一款名為“伊麗絲”(IRIS) 的神秘互動APP;它將好姊妹出軌的證據偷拍下來,還將不雅照、私密影片和訊息散布至臉書,監控她的生活,周遭朋友紛紛卷入,陷入恐慌?! “材扔帽M一切辦法,欲將伊麗絲移除,卻引來致命殺機。不甘居于劣勢的她,決定正面迎擊…。
狄仁杰之通天浮屠
唐載初年,位于郊外校場倒塌的通天浮屠殘骸一夜之間復活。天空中一條火龍照亮夜空,并噴射火球摧毀了整個校場,死傷無數。隨后通天浮屠也燃起大火,化為灰燼。而異族鬼道在城外叫囂,只有武則天效仿大佛自焚,天下才可免受災難。城中內外人心惶惶,狄仁杰奉命徹查此案,卻遇到了與自己有過節的大理寺少卿裴東升。二人不打不相識,被迫一起調查此案。面對外敵的入侵,隊友的不信任,狄仁杰決心背水一戰,勢要查明案件的真相。