在線播放
劇情簡介
禮拜堂,性感而神秘的畫家,用誘惑的藝術進站她同父異母的弟弟和報復對她的虐待父親的行為對對方他最好的朋友。一個危險的三角戀愛隨之而來。
人氣佳作
婚前脫單快樂
Katlego Lebogang,Siya Sepotokele Raymond春天不是讀書天
馬修·布羅德里克,阿蘭·盧克,米婭·薩拉,杰弗瑞·瓊斯,詹妮弗·格雷,辛迪·皮克特,萊曼·沃德,伊迪·麥克勒格,查理·辛,本·斯坦,德爾克洛斯,弗吉尼亞·卡珀斯,理查德·埃德森,克里斯蒂·斯旺森,馬克斯·佩利希,斯科特·科菲,Tom Spratley,Debra Montague,喬伊·D·維埃拉,路易·安德森,Dick Sollenberger,迪迪·雷斯徹,Katie Barberi,Kevin Bassett,Harry Caray,詹姆斯·M·赫夫曼,約翰·休斯,Joseph P. McDonne奧利維婭與云
Olga Valdez,Héctor Aníbal,Elsa Nú?ez,Dominique Goris,Fery Cordero甜心老爸
布倫特·貝利,邁克爾·錢德勒,Benjamin Easterday,Wendell Kinney,Jamaal Lewis,肯尼斯·米勒,凱西·奧凱菲,瑞克·奧托,Anthony Richard Pagliaro,Jim Poole,奧布雷·雷諾茲,埃利斯·羅伯特森導演精選
內幕2025
香港著名慈善基金會晚宴現場,財務總監楊滔(任達華 飾)離奇吊死在會場,疑云籠罩之下,兩億善款也不翼而飛!“良知律師”馬迎風(郭富城 飾)與“玩咖警長”柯定邦(吳鎮宇 飾)意外被卷入其中,隨著二人調查不斷深入,慈善表象之下的駭人罪惡也接連現形——操縱司法、買兇殺人、走私販毒、勾結境外勢力……善意變生意,民眾的捐款竟淪為黑惡組織的血包!楊滔之死的真相到底是什么?他們能否將所有內幕公之于眾,還社會以公道?
火車司機日記
每個火車司機在職業生涯中會撞死20多人,這些死者通常是因為尋死、失誤、酒醉或僅僅是一不小心而喪生。伊利亞是一名即將退休的火車司機,他共撞死了28人。他19歲的養子西瑪繼承了他的工作,西瑪非常擔心自己也會撞死人,而老司機們都安慰他說,一周內就會發生,但是幾周過去后,沒有發生一起撞人事故,而這也使得他精神極度緊繃。伊利亞為了幫助他,找到了許多想要自殺的人,讓他們跳到車軌上自殺,但是最終這些人都放棄了自殺的念頭。無奈之下,伊利亞自己躺在了車軌上想用自身的死來拯救西瑪…
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.