性軀干 トルソ (2010)

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　一位單親母親帶著兩個女兒在鄉(xiāng)下生活數(shù)年后重返臺北，在熱鬧的夜市擺起小吃攤。面對新環(huán)境，三人以各自的方式努力適應(yīng)，既要維持生計又要守護(hù)家庭完整。當(dāng)傳統(tǒng)觀念根深蒂固的外祖父禁止左撇子小孫女使用"惡魔之手"后，這個三代同堂家庭深埋的秘密開始逐漸浮出水面。

　　由連續(xù)并相互構(gòu)陷的恐怖元素和花絮構(gòu)成。此次《恐怖故事3》跨越時間將故事呈現(xiàn)，“過去”設(shè)置在恐怖故事“狐貍窟”，“現(xiàn)在”聚焦在路怒癥Road Rage，“未來”段落圍繞人工智能“機械力”。向觀眾展現(xiàn)不同的元素，釋放不同恐怖刺激時本片的內(nèi)容和目標(biāo)。

　　兩個不善社交的少女，一天晚上無聊，轉(zhuǎn)向互聯(lián)網(wǎng)尋找恐怖故事。他們在一個令人毛骨悚然的網(wǎng)絡(luò)上找到了一個游戲，聲稱你可以用你的手機來召喚超自然...如果你輸了比賽...你失去了生命