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劇情提要
關系微妙的兩男兩女聚在一起,作為朋友的媽媽,卻產生了一種另類的情愫,而這種不倫的羞恥感,逐漸的蔓延開來....
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江湖告急
梁家輝,吳君如,陳奕迅,黃秋生,張耀揚,谷祖琳,陳輝虹,彭敬慈,羅蘭,曾志偉最后一槍2025
Lham Somphol Rungphanit,薩里卡·塞思蘇帕,帕塔納·埃桑固無限:未知對象
托莉·巴特勒-哈特,伊恩·麥克萊恩,康勒斯·希爾,格雷厄姆·巴特勒,Ben Lee,Holly Dale Spencer,Chris Hart,Wendy Muir Hart十月建造的房屋2
Brandy Schaefer,Zack Andrews,Mikey Roe,Jeff Larson,Bobby Roe,Kate Biddle,Bob Ballou,Tamara Chambers,Wade Clark,Clicks,Landon Colby,盧卡斯·戈弗雷,Tyson Colby,Andrea Hays,Adam Heatherly,Margee Kerr,Takeru Kobayashi,Mini Kiss,Jacquie Lantern,尼克·里昂,Gina Martinez,Ka死在那年夏天
吉拉育·拉翁馬尼,Suthatta Udomsilp,????????? ???????????,??? ???????????????,???????? ???????????瘋狂天才
史賓塞·洛克,泰米娜·森尼,法蘭·塔希爾,斯科特·麥克洛維茨,麗維·陳,克里斯·梅森,格本加·阿金納格貝,brandon scott,klement tinaj,derek s. orr,nicole fahel抱得美人歸
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宮崎葵,蒼井優,田邊誠一,涼,伊勢谷友介儀式殺手
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蕭正楠,黃婉伶,黃婉君,陳逸寧,戴夢夢,朱咪咪,李兆基,江欣燕,梅小惠,謝雪心,楊羚,李思捷,王嘉明幕后花絮
我家的律師又惹麻煩了
由于杏(平手友梨奈 飾)轉往美國的法律事務所,藏前(室毅 飾)失去了負責照看的律師,因此被所長暗示即將終止契約。剛好此時,他得知人氣“藝能型律師”樋口新(木南晴夏 飾)正準備從事務所獨立開業。藏前隨即親自上門請求:“請務必讓我在您手下工作。”在被爽快答應的當場,他慌忙簽了文件,卻不知道這正是“地獄的開端”。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster