劇情簡介
Makoto今天冒險(xiǎn)去尋找第一名的女孩， 這次，乘地鐵到Shiki站。 為了針對那些結(jié)合了學(xué)術(shù)和商務(wù)旅行服務(wù)的女大學(xué)生 進(jìn)入酒店房間并打電話出差。 當(dāng)時(shí)氣氛熱烈，大學(xué)女生叫劉 誠自然要求性，她也開始喜歡它。 誠在下一次商務(wù)旅行中會(huì)見了Airohara。 經(jīng)驗(yàn)豐富的Roro領(lǐng)導(dǎo)Makoto并分享他的事務(wù)。
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ChaO，我代表人類跟人魚結(jié)婚了
鈴鹿央士,山田杏奈,山里亮太,宍戶佑名,梅原裕一郎,三宅健太,太田駿靜,土屋安娜,川島邦裕人間と人魚が共存する未來社會(huì)を舞臺(tái)とする本作。船舶を製造する會(huì)社で働くサラリーマンのステファンは、ある日突然、人魚王國の姫?チャオに求婚される。ステファンはわけがわからないままチャオと一緒に生活する中で、純粋でまっすぐなチャオに少しずつ惹かれていく。
阿提克斯研究所
萊亞·吉斯特德,威廉·麥鮑瑟,莎朗·摩翰,約翰·魯賓斯坦,Hannah Cowley,Rob Kerkovich,杰拉爾德·麥卡洛克,Trisha Rae Stahl,朱麗安·阿科斯塔,Anton Narinskiy,阿隆·克拉文,安妮·貝坦克特,Karen E. Wright,Erich Lane,Brian Chenoweth20世紀(jì)50、60年代，亨利·韋斯特博士（威廉·麥鮑瑟 William Mapother 飾）創(chuàng)建了靈學(xué)實(shí)驗(yàn)室阿提克斯研究所，針對超能力、透視、讀心術(shù)、隔空取物等邊緣學(xué)科展開研究。雖然遭遇了無數(shù)的挫折與嘲笑，但是韋斯特博士仍堅(jiān)持不懈朝著目標(biāo)前進(jìn)。1975年，他的實(shí)驗(yàn)室因某起騙局而被迫關(guān)閉，就在此時(shí)一個(gè)略顯神經(jīng)質(zhì)的女人朱迪思·溫斯黛德（萊亞·吉斯特德 Rya Kihlstedt 飾）被送到實(shí)驗(yàn)室。她之前因傷而擁有了超能力，而其看似貨真價(jià)實(shí)的超能力迅速令見多識(shí)廣的科學(xué)家們大為折服。在這一過程中，朱迪思的能力不斷加強(qiáng)，甚至已經(jīng)到了失控的程度。 這已遠(yuǎn)遠(yuǎn)超出了超能力的范疇，謎團(tuán)背后惡魔的身影時(shí)隱時(shí)現(xiàn)……
喜羊羊與灰太狼之羊年喜羊羊
祖晴,張琳,楊陽洋,高全勝,梁穎,鄧玉婷,劉紅韻,趙娜在陽光明媚的日子里，灰太狼突然闖入羊村，雖然他被小羊羊們擊退，卻把村長的變身魔毯打劫回去。表現(xiàn)英勇的喜羊羊受到伙伴們的稱贊，而懶羊羊?qū)Υ朔炊行崙嵅黄健榱俗C明自己的實(shí)力，他將慢羊羊的時(shí)空照相機(jī)錯(cuò)認(rèn)為手槍，將其偷走后闖入狼堡。得知消息的喜羊羊匆匆趕去營救，結(jié)果在混亂之中被卷入時(shí)空亂流回到了遠(yuǎn)古時(shí)代，灰太狼和懶羊羊更被魔毯互換了身體。灰太狼無意中被原始羊的千金相為駙馬，懶羊羊則成為幾只笨狼的首領(lǐng)。 可怕的是有一條能把任何生物變成石頭的惡龍肆虐，為了保衛(wèi)原始時(shí)代的朋友們，喜羊羊他們攜手挑戰(zhàn)惡龍，懶羊羊更成為了足以改變歷史的英雄人物……
日夜男女
楊冬麒,張夢戈,大兵,華運(yùn)哥一對從外地來到北京打拼的陌生男女由于被騙不得已合租一間地下室，并同睡一張床引發(fā)的一段啼笑皆非的故事，與其他合租不同的是兩人分時(shí)段合租，男孩晚上住，女孩白天住。那么兩人如何被騙，又是怎樣住在一起，女孩晚上又在做什么？而當(dāng)這張床又被笨賊盯上，幾人圍繞這張床又會(huì)發(fā)生怎樣出人意料的故事呢？很快我們就能得到答案。 該劇針對性強(qiáng)，受眾度廣，笑點(diǎn)密集，情節(jié)曲折幽默，搞笑而不搞怪，通俗而不低俗。
星際變種
劉敬宇,楊舒婷,凱洱,麥小龍,王藝曈,袁近輝,鄢子綸,李巖研,劉峰超,Alexander Zerrath,狼森,Eric Joseph Heise,蒂娜·柯林斯,Chelsey Mark,大衛(wèi)·雷登,Norbert M.DuBois,趙鵬濤一場慘絕人寰的連環(huán)慘案，讓雷杰米一直被惡靈纏身困擾。但只有他知道真正的兇手是一種“看不見、摸不著”的在陰影中潛伏的惡靈：無聲逼近、瞬間奪命，只留破碎尸體與無法解釋的詭異痕跡。 雷杰米與女醫(yī)生盧娜聯(lián)合調(diào)查時(shí)發(fā)現(xiàn)，一切源于他童年母親死亡有關(guān)的研究秘密釋放的遠(yuǎn)古惡靈，它正以扭曲低語和血跡標(biāo)記獵物，吞噬獵物的恐懼，將他們逐個(gè)拖入絕望死亡。證人離奇發(fā)狂、無人醫(yī)院深處傳來濕滑爬行聲……而每當(dāng)人心恐懼到極點(diǎn)， 惡靈便會(huì)在黑暗中悄悄靠近…… 身邊人接連慘死，雷杰米必須直面糾纏他一生的“惡靈”，才能拯救他所愛之人。當(dāng)他們以為噩夢終結(jié)時(shí)，惡靈卻失控逃逸擴(kuò)散，更大的恐懼才剛剛蘇醒……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
迷失的欲望
靳圣通外表漂亮的子晨內(nèi)心充滿著欲望，漂亮的包包和高檔的手表的加持，子晨在人群中格外顯眼，子晨得到了極大的滿足。然而真正的奢侈品是愛情，子晨開始瞞著自己的丈夫和花花公子開始交往，隨著時(shí)間的推移，債務(wù)暴雷，情感更是騙人的游戲，子晨終于把自己推向了絕境。