即刻觀影
劇情賞析
編輯推薦
印度超人前傳
瑞哈,赫里尼克·羅斯?jié)h,普麗緹·澤塔,拉克什·羅斯?jié)h,Prem Chopra,Rajat Bedi,喬尼·里沃,穆克什·里希本片講述了印度超人克里斯的父親的傳奇經(jīng)歷。本來膽小懦弱的羅西特偶然與遺落在地球的外星人賈都締結(jié)下深厚的友情，賈都把自己的一身特異功能傳給了羅西特并幫助他成為所向披靡的超人... ... 如果說《印度超人》是向超人叫板的話，此前傳倒有幾分向ET致敬的味道。
繼續(xù)跳舞
繆騫人,林建明,黃霑,周文健,孟海資深電視人甘國亮和《跳灰》新浪潮電影人梁普智聯(lián)合導(dǎo)演，1988年喜劇《繼續(xù)跳舞》由繆騫人、新馬師曾、曾志偉、吳耀漢、黃沾、李香琴、孟海、林憶蓮和林建明主演，片中繆騫人更一人飾演兩角，分別是孖生姊妹長娥和次娥。次娥本來住在精神病院中，但是她用巧計(jì)將長娥騙入院中，并對調(diào)身份，然後到社會上尋找負(fù)心的前夫。 故事講述次娥在過程中遇上了單戀長娥的郵差，又因看風(fēng)水而認(rèn)識了富翁唐沙翁。三人之間竟然相處融洽。而長娥本來只想在院中作短暫的停留，但是每日接觸稀奇古怪的醫(yī)護(hù)人員和病人後，竟然發(fā)現(xiàn)這種生活別有樂趣，逐漸淡忘外界的一切，包括自己的未婚夫在內(nèi)……
不良教育
妲露拉·萊莉,喬安娜·斯坎倫,克拉克·彼得斯,杰克·懷特霍爾,馬修·豪勒,史蒂夫·斯皮爾斯,莎拉·索蕾瑪尼,哈里·恩菲爾德,托尼·毛德斯雷,萊頓·威廉姆斯,史蒂夫·奧拉姆,馬克·伍頓,查理·沃納姆,妮琪·羅南克萊斯威克斯教員帶著他剛完成中學(xué)學(xué)業(yè)的學(xué)生們修學(xué)觀光。
赤腳大仙
彭禺厶,許媛媛,林昊然
短暫的戀情
瓦萊麗亞·戈利諾,皮拉爾·福格莉亞蒂,阿德里亞諾·吉安尼尼,塞萊涅·卡拉馬扎,茱莉雅·蒙薩,Cristian Stelluti故事講述了Lea在酒吧遇到Rocco并成為他的情人的故事。他們的秘密戀情僅限于酒店房間，當(dāng)李開始滲透到羅科的生活中，超越了他們的秘密遭遇時(shí)，他們的關(guān)系發(fā)生了險(xiǎn)惡的轉(zhuǎn)折。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.