被包養的人妻們

? 1.1 播放：80萬 2026-04-26

女主人伊藤理沙的先生，經常出差遠外不在家，性感貌美妻子空守閨房，孤寂難耐，致使鄰近送披薩年輕男子小健，及洗衣店等男人，藉機而入。在半推半就下，享受到不少劇烈y-歡。此時，已和理沙母親離婚的無恥父親，也聞風而來，脅迫女兒和爸爸，做出不倫性侵丑事，并索取錢財，以保守女兒的婚外情誹聞。有一天小健又以先前**作愛不雅照片為由,脅迫再次要求性歡，否則要向藤理先生公開秘密，并來了美惠女子及一男子，二男二女四人，完全融入x愛的快感姦境，難以自拔....

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? 播放 被包養的人妻們

劇情提要

女主人伊藤理沙的先生，經常出差遠外不在家，性感貌美妻子空守閨房，孤寂難耐，致使鄰近送披薩年輕男子小健，及洗衣店等男人，藉機而入。在半推半就下，享受到不少劇烈y-歡。此時，已和理沙母親離婚的無恥父親，也聞風而來，脅迫女兒和爸爸，做出不倫性侵丑事，并索取錢財，以保守女兒的婚外情誹聞。有一天小健又以先前**作愛不雅照片為由,脅迫再次要求性歡，否則要向藤理先生公開秘密，并來了美惠女子及一男子，二男二女四人，完全融入x愛的快感姦境，難以自拔....

幕后花絮

六度戰栗

　　邁可透過一張光碟，參加了一場刺激的游戲，在月黑風高的晚上他發現自已稍稍走進一間屋子并從廚房拿刀子殺死一個沈睡著的男人當邁可醒來時他興奮極了，這一生他從沒有這么刺激和開心過，第二天當他看到新聞。天啊！那件謀殺案真的發生了嗎？后來第二張CD又寄來了，他決定結束這場荒謬的游戲，但主謀者從邁可的電腦中走出來，他竟是一具有形象的＂人＂，并且一再要脅邁可再玩下去，也挑唆他面對恐懼和幻象，邁可就像受催眠一般他無處可逃，主謀者已經完全控制了他使他分不清什么是真什么是假……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.