素女經(jīng)之挑情寶鑒

評(píng)分：4.5 播放：00萬(wàn) 更新：2026-04-27

相傳素女是皇帝宮中音樂(lè)家的女兒，她吸取了數(shù)個(gè)童男的精氣，學(xué)成了長(zhǎng)生不老之術(shù)，登臨仙境！中國(guó)醫(yī)學(xué)之祖黃帝軒轅氏，搜集了一切有關(guān)素女吸取童貞的珍貴資料，再經(jīng)過(guò)一番精研，終于著成了一本奇書(shū)《素女經(jīng)》。一但可以用性事治病、增進(jìn)健康、更可以用行房時(shí)姿式，練成絕世武功。消息傳出之后，有邪教y-魔、厲昆知道了菰本的素女經(jīng)，被關(guān)裡隱士收藏遂不惜切，務(wù)必把素女經(jīng)搶奪回來(lái)，據(jù)為己有！ 　　

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丹尼爾·希梅內(nèi)斯·卡喬,艾邦·摩斯-巴克拉赫,凡妮莎·肖

　　在一個(gè)舒適的季節(jié)，弗朗西斯科（艾邦·摩斯·貝克許 Ebon Moss-Bachrach 飾）和懷有身孕的妻子貝絲（凡妮莎·肖 Vinessa Shaw 飾）來(lái)到墨西哥某個(gè)海濱小鎮(zhèn)度假。適值狂歡節(jié)期間，小鎮(zhèn)四周歌舞升平，紙醉金迷，多少青年男女流連忘返。弗朗西斯科渴望尋覓一個(gè)安寧的所在，他找到當(dāng)?shù)氐臐O夫，從對(duì)方手中租下一艘船，打算在附近某個(gè)僻靜的小島安然度過(guò)五六天。次日，他和妻子抵達(dá)目的地。那里寂靜無(wú)聲，幾乎看不到一個(gè)人影。島上的孩子們偶爾逡巡四周，但無(wú)一例外臉上都掛著猙獰冷漠的表情。　　未過(guò)多久，令他們毛骨悚然的事情接連發(fā)生。島上的孩子手執(zhí)兇器獵殺成人，期間更發(fā)出令人不寒而栗的笑聲。孩童的殺戮仍在繼續(xù)，弗朗西斯科夫婦能否逃離……

最后幸存者

德魯·凡·阿克爾,艾麗西亞·希爾維斯通,史蒂芬·莫耶,馬克·法姆吉列蒂,本杰明·亞瑟,Akaash Yadav,Simon Lees

　　The pic is set in the aftermath of an apocalyptic event that forces people into extreme isolation. A father (Moyer) and son (Van Acker), who have been living off grid for 20 years, encounter an outsider (Silverstone) who threatens to destroy the utopia they’ve built.

龍兄鼠弟

阿諾·施瓦辛格,丹尼·德維托,凱利·普雷斯頓,科洛·韋伯,邦妮·芭利特,特雷·威爾遜,馬紹爾·貝爾,大衛(wèi)·卡羅素,休·歐布萊恩,內(nèi)赫米亞·佩爾索夫,莫里·柴金,托尼·杰

　　多年前科學(xué)家進(jìn)行了一項(xiàng)創(chuàng)造完美人類(lèi)的飾演，沒(méi)想到實(shí)驗(yàn)過(guò)程中的細(xì)胞分裂不均勻?qū)е铝诉@個(gè)實(shí)驗(yàn)只成功了一半，另一半則完全失敗。科學(xué)家創(chuàng)造出來(lái)的這對(duì)雙胞胎兄弟一個(gè)是完美人類(lèi)的典型――德智體美全面發(fā)展的高大的朱利斯（阿諾?施瓦辛格 Arnold Schwarzenegger 飾）；另一個(gè)則是人類(lèi)所有缺點(diǎn)的集合體――小矮個(gè)文森（丹尼?德維托 Danny DeVito 飾）。兄弟兩一出世就被分離，朱利斯被科學(xué)家送到南海的一個(gè)小島上撫養(yǎng)長(zhǎng)大，而弟弟則在孤兒院度過(guò)了他的童年。　　直到兄弟兩已過(guò)不惑之年，他們才知道了對(duì)方的存在。朱利斯與未曾謀面的兄弟文森重逢后，兩兄弟決定踏上尋找親生母親之路。但是這時(shí)，一場(chǎng)意外給他們?nèi)莵?lái)了殺身之禍。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.