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羞恥惡魔
西蒙·飛利普斯Jack escapes jail and head to New York city to track down an old flame who has disappeared under mysterious circumstances.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
瑪德琳的瑪德琳
海倫娜·霍華德,米蘭達·裘麗,莫莉·帕克,奧奎·奧克波克瓦西里,蘇妮特·瑪尼,費利佩·博尼拉,麗莎·薩爾斯,寇蒂斯·庫克,雷納爾多·皮涅拉,邁拉·盧克利希亞·泰勒,茱莉·塞爾達,達娜·埃斯科爾森,蘇澤特·古恩,邁克·霍奇,亞歷山德拉·塔塔爾斯基《瑪德琳的瑪德琳》是美國女導演約瑟芬·戴克最新的一部作品。這部電影講述了一個戲劇導演,在創作她最近的作品時所產生的故事。這也是約瑟芬·戴克的第14部作品。作品中的角色和她本人頗為相似,同樣作為導演的她,也是一名演員。戴克以往的作品,總是帶著一定程度上的形式化的美感,也顯露著女性特有的細膩。在她的作品中,鏡頭更像是一雙可以無限接近角色人物的眼睛,時刻捕捉著主觀視角下的人物的行動和當時的情內心狀態。
四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛·萊爾,邁克爾·伯恩,羅尼·福克斯,帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里故事發生在一間專門面向歌劇退休演員開放的養老院里,維爾福(比利·康諾利 Billy Connolly 飾)、雷吉(湯姆·康特奈 Tom Courtenay 飾)和茜茜(寶林·科林斯 Pauline Collins 飾)是那里的明星居民。每一年,這三個出色的演唱者都會通過他們的三重唱向社會募集資金,用以維持養老院的運作。雖然養老院的規模不大,但每一個老人都能在那里找到快樂和安寧。 簡(瑪吉·史密斯 Maggie Smith 飾)的出現打破了眾人寧靜的生活,這個高傲又好斗的女人是歌劇界名聲大噪的歌唱家,同時,她還是雷吉的前妻。受生活所迫,簡不得已住進了這間養老院,前夫雷吉的存在更是讓她心中憤憤不平。由于簡的加入,三重唱變成了四重唱,但排練的效果并沒有因為一個得力唱匠的加入而有所提高,麻煩和爭執接踵而至。
跳出去
張雨綺,立威廉,姚文雪,袁祥仁,彭敬慈,馮勉恒,吳彥祖,李尚正,高寶云農村姑娘彩鳳(張雨綺 飾)跟同伴來到一家號稱哈佛畢業生開的診所,希望可以通過整容手術變漂亮,但是整容醫生(吳彥祖 飾)的拙劣表現,令她們無功而返。后來,兩人擠上了開往上海的貨車。來到大城市,人生地不熟,彩鳳卻對大屏幕里的街舞情有獨鐘,原來她也曾經是鄉舞蹈隊的一員。然而,現實的壓力卻讓她只能把夢想暗藏心底。一次偶然的機會,她進入了朗(立威廉 飾)所開的紅星公司,雖然工作是清潔工,但可以有機會接觸到街舞,讓她非常興奮,時常默默練習。朗是公司老板,富家子弟,每天周旋于紅男綠女之間,希望通過街舞大賽幫公司創品牌。他遇到彩鳳后,被她對街舞的執著打動,便提供了一個機會,希望幫她實現夢想。然而,因為一次誤會,令彩鳳傷心地回到了家鄉。她還能有機會站在五光十色的舞臺上實現夢想嗎?
德古拉2025
阿多尼斯·坦察,Oana Maria Zaharia,加布里埃爾·斯帕休,Alexandra Harapu,Ana Dumitrascu,亞歷山德魯·達比加,Claudiu Dumitru,謝爾班·帕夫盧,Andrada Balea,伊林卡·馬諾拉切,尼科丁·恩古里亞努,艾麗娜·塞爾班,Carina Lapusneanu,Marian Adochitei,Horea Avram,Alexandra Caras,Doru Catanescu,米海·科瑪羅尤,Alexandru Georgescu,卡麗娜·齊一位扮演德古拉的演員在餐廳表演中臨陣脫逃,引發了一場混亂的追逐戰——游客與店主們集體圍剿這名"吸血鬼"。與此同時,AI軟件生成著德古拉故事的萬花筒:從社會評論到未來主義改編,編織出重新定義這一傳奇角色的敘事圖譜。