劇情簡介
strong childhood bond between two girls grows into something more. As they explore their bodies, Pin and Aya soon learn that their feelings for each other are beyond friendship. With their friendship at stake, will they risk it all?
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暗黑女子
千眼美子,飯豐萬理江,清野菜名,玉城蒂娜,小島梨里杏,平祐奈,升毅,千葉雄大《暗黑女子》改編自秋吉理香子的同名人氣推理小說，描述了女子高中美少女白石逸美神秘死亡以后，逸美同校文學(xué)部的少女們，開始以她的死亡為主題，各自發(fā)表了檢舉犯人的作品。由清水富美加和飯豐萬理江擔(dān)任雙主演，由《百瀨，朝向這邊》、《戰(zhàn)神：只是愛著你》的導(dǎo)演耶云哉治執(zhí)導(dǎo)。 影片《暗黑女子》是一部由耶云哉治執(zhí)導(dǎo)的影片，該片于2017年4月1日本上映。 本片圍繞基督教名媛學(xué)校圣母瑪利亞女子高等學(xué)院的理事長之女、全校同學(xué)羨慕的物件——白石逸美（飯豐飾演）神秘死亡的故事展開。 好友澄川小百合（清水飾演）代替逸美，繼任了文學(xué)小組的會長而被成員們懷疑。她為了查明逸美死亡的原因并找出真兇，讓成員們寫關(guān)于「逸美之死」的小說，然后大家一起摸黑開朗讀會。 清水富美加飾演文學(xué)部部長澄川小百合，白石逸美則由飯豐萬理江出演。千葉雄大飾演的北條老師曾是學(xué)校文學(xué)部的顧問，因向身邊工作人員講猥瑣話題被趕走，實(shí)際上擁有不為人知的秘密。 其他角色方面，保加利亞留學(xué)生狄安娜?迪切瓦由玉城蒂娜扮演，清野菜名出演作家高岡志夜；夢想成為甜點(diǎn)師的小南彩音由小島梨里杏扮演，總是為獎學(xué)金而焦慮的二谷美禮由平佑奈扮演。
棉花軟糖
柯賓·伯恩森,庫埃·勞倫斯,Kai Cech,Max Malas在一個與世隔絕的夏令營里，膽小又內(nèi)向的12歲男孩摩根陷入了一場噩夢之中——曾經(jīng)被當(dāng)作傳說的一個篝火故事竟變成了現(xiàn)實(shí)。摩根和他新結(jié)識的朋友們必須踏上一段危險重重的旅程，并揭開隱藏在表象之下的邪惡真相。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
冰風(fēng)暴
凱文·克萊恩,瓊·艾倫,西格妮·韋弗,亨利·科澤尼,托比·馬奎爾,克里斯蒂娜·里奇,伊利亞·伍德,亞當(dāng)·漢拜德,大衛(wèi)·克朗姆霍茨,杰米·謝爾丹,凱特·伯頓,威廉·凱恩,邁克爾·昆普斯蒂,瑪雅·丹齊格,凱蒂·霍爾姆斯,艾莉森·詹尼1973年美國康涅狄格州，感恩節(jié)快要到來，一場冰風(fēng)暴也即將到來。平凡乏味的家庭生活使中年夫妻厭倦，丈夫本?胡德（凱文?克萊恩飾）一直在引誘鄰居珍妮特?哈珀，而妻子（瓊?艾倫飾）對丈夫的謊言也早已不耐煩了。兒子保羅（托比?馬奎爾飾）迷戀著學(xué)校里最有人緣的那位女生。女兒溫迪（克里斯蒂娜?里奇）興趣于電視里的水門事件聽證會。 冰風(fēng)暴的夜晚，夫妻兩個去朋友家參加一個雞尾酒會，雞尾酒會的一個重要內(nèi)容是進(jìn)行換房間鑰匙的游戲。在酒會結(jié)束后，每個妻子都可以和別家男人結(jié)成新歡。而他們兒子則趕去面對一場誘惑與考驗，女兒正陶醉在同鄰家男孩子的性游戲中……
昭和殘俠傳：血染的唐獅子
高倉健,藤純子,池部良,津川雅彥,曽根晴美,山城新伍,牧紀(jì)子,萩玲子昭和初期。淺草界隈の左官、大工をまとめ信望を一身に集める鳶政は、今は病身で、後取りの小頭の秀次郎が兵役から帰還してくるのを待っていた。そうした時、東京で博覧會が開かれることになり、會場が上野に決った。上野は鳶政の縄張りだったが、博徒阿久根一家が札束をつんで工事の利権を譲れと言ってきた。これを斷った鳶政は阿久津の子分三日仏に殺された。阿久津はその上、市の土木局長高見沢と結(jié)託し、鳶政傘下の業(yè)者を買収してしまった。そんなやり方に、阿久津の代貸し重吉とその妹文代は心を痛めていた。重吉は秀次郎とは親友だった。やがて秀次郎が帰ってきた。そして入札は無事に鳶政一家に落ち、會場建設(shè)の大工事が始った。そんな時、音吉が蕓者染次を身請けするため大切な纒を質(zhì)屋の巖源に渡し、それが阿久津の手に渡るという事件が起った。音吉は責(zé)任を感じそれを取り返しに行って殺され、染次も阿久津に身を売る約束で纒を取返したが、音吉の後を追って死んだ。秀次郎たちは阿久津への激しい怒りに駆られたものの、今は工事の方が大切と會場建設(shè)に全力を注ぐのだった。しかし阿久津たちはそんな鳶政一家に次々と工事の妨害を仕かけてきた。それをじっと耐えていた秀次郎たちだったが、工事現(xiàn)場に放火された時は勘忍袋の緒を切らした。一方、度重なる阿久津の悪どいやり方に重吉は盃を叩き返し、秀次郎の許に駆けつけた。ちょうど秀次郎は、ひとりで毆り込もうとする鳶政のひとり息子明夫を制し、自分で行こうとしていた。かわりに秀次郎と重吉が阿久津一家に毆り込んだ。二人は思う存分暴れ回り、たちまち修羅場と化したが、その中で重吉が三日仏に殺された。しかし、唐獅子牡丹の刺青を背に暴れる秀次郎に、阿久津も三日仏も倒されていった。
圣誕奇遇結(jié)良緣
林子祥,岑建勛,張曼玉,午馬,秦沛,廖啟智,徐錦江故事梗概 本片為香港德寶電影公司的創(chuàng)業(yè)巨制之一，由杰出的攝影指導(dǎo)鐘志文升任導(dǎo)演，是一部熱鬧的浪漫冒險喜劇。內(nèi)容描述一名地下軍火專家制造了一個小型炸彈企圖有所不軌，計劃被助手知悉，以致他殺人滅口，但卻被三名互不認(rèn)識的平凡寂寞人目睹此事件。兩名瘋狂殺手奉命追殺三名目擊者，他們乃展開逃亡，過程中發(fā)揮同舟共濟(jì)的精神來化解危機(jī)。全片是典型以追殺為主戲的娛樂片，但不強(qiáng)調(diào)暴力動作，反而有不少驚險笑料。三個主角的個性也純真好玩，將都市寂寞人偶然碰到刺激遭遇時的反應(yīng)生動地表現(xiàn)了出來。
高空求生
威廉·鮑德溫,Loris Curci,Christopher Greco,珍妮·卡斯帕,Kseniya Pinch,Zach Rose,Marianna Rosset,Diljohn Singh,Crystal WebTwo sisters living separate lives on different continents are reunited on a Mediterranean Island. The two barely have time to bond and revive family ties as Kate, the elder, meets a group of locals and agrees to an exciting ride on a hot air balloon. But disaster strikes and as the result of a freak accident, the balloon is carried far out to sea. Their cell phones out of range, and the balloon running out of gas, Kate and her friends are battling for their lives. While, back on land, the younger sister, Liz, has become an unwanted "material witness" to a crime. Matters then take a dramatic twist, one that will mark their lives forever.