爆米花和野草莓

皆為好事

　　Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.

養鬼吃人3

在經歷了前兩集的失敗之后,修道士還不死心.他發現那個邪惡的魔方被一個花花公子買走了,于是他以這個花花公子做誘餌來吸引犧牲品,在人間大開殺戒.修道士打算把魔方毀去,這樣他就永遠不用再回到地獄.但是一個女記者發現了這些可怕的兇殺案,并將修道士又一次送回了地獄.....

彼岸2025

　　在從拘留中心獲釋后，無證移民艾莎搬到了紐約市，發誓要逃離追逐她的種種困境。在皇后區，她愛上了剛退伍的軍人斯金納，他們互相扶持，共同面對在美國開始新生活的種種復雜挑戰。這是一個關于兩個被世界遺忘的人的深刻而真實的愛情故事。

二十五世紀宇宙戰爭