我想成為一個(gè)小妹妹
在#51116;#54844;聚會(huì)上相遇的井和#50976;#47532;#53076;。他們倆分別是帶著兒子和女兒的#46028;#49905;,雖然還沒(méi)有正式結(jié)婚,但還是決定一起生活。和她的女兒#52996;#51060;#52824;、#50976;#47532;#53076;和她的女兒#48120;#55176;#47196;。耐性的#52996;#51060;#52824;突然曝露出對(duì)繼母和妹妹的尷尬性格開(kāi)朗的性格首先要靠近井內(nèi)功和#52996;#51060;#52824;。
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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster