男人胸女人

一份不祥的求助信被傳到了20世紀(jì)80年代的一家郵局里，將一名死信調(diào)查員與一名被綁架的鍵盤技術(shù)員聯(lián)系起來。

當(dāng)兼顧工作和撫養(yǎng)孩子的單身母親成熙（尹世雅飾）為她年幼的女兒在整個(gè)房子里安裝家庭攝像頭時(shí)，奇怪的事情開始了。

 戰(zhàn)爭(zhēng)結(jié)束了，但留下的悲劇從來都不會(huì)就此斷絕。在位于美國(guó)加州的一家傷兵醫(yī)院里，盧克（強(qiáng)·沃特 Jon Voight 飾）痛苦的躺在病床上。戰(zhàn)爭(zhēng)徹底的奪走了他剩余人生里的幸福和自由，半身不遂的他注定再也享受不到生為一個(gè)正常人的快樂了。因?yàn)榉N種，盧克每天都生活在抑郁和憤怒之中。莎莉（簡(jiǎn)·方達(dá) Jane Fonda 飾）的丈夫鮑勃（布魯斯·鄧恩 Bruce Dern 飾）是一名軍官。身為軍官之妻，莎莉有義務(wù)對(duì)在戰(zhàn)爭(zhēng)中遭難的軍人們進(jìn)行安撫。就這樣，莎莉邂逅了盧克，并且在時(shí)間的推移之中深深的愛上了他。為了給予盧克繼續(xù)活下去的希望，她不惜用自己的身體去引誘盧克。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster