姐妹情室

　　1976年，一名會(huì)計(jì)師因莫須有的罪名，將面臨不公正的刑事判罰，他決心一斗到底。西班牙導(dǎo)演阿爾韋托·羅德里格斯（《千面人》）闊別6年重回大銀幕的新作，根據(jù)真實(shí)事件創(chuàng)作，于現(xiàn)已關(guān)閉的巴塞羅那莫德羅監(jiān)獄內(nèi)實(shí)景拍攝，回溯1976年弗朗哥去世后的西班牙民主過渡期。影片巧用突然驚嚇營造驚悚氣氛，反映獄警對(duì)犯人的多種慘無人道的摧殘；藉由民憤輪番上演花式越獄，點(diǎn)燃普通人的求生之火，強(qiáng)烈抨擊國家法律體系的不公。榮獲2023年西班牙戈雅獎(jiǎng)16項(xiàng)提名，最終攬獲最佳美術(shù)指導(dǎo)等5項(xiàng)技術(shù)大獎(jiǎng)。

　　影片講述的是一位新媽媽 Mary （克里斯蒂·柏克 飾）保護(hù)新生兒 Adam（Grace Christensen 飾）的故事。Mary 生了一對(duì)雙胞胎，但其中只有 Adam 存活了下來。在照顧 Adam 的過程中她瘋狂地認(rèn)為有某種超自然的實(shí)體在不惜任何代價(jià)地把 Adam 從她身邊帶走。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　蘇聯(lián)在1982年開發(fā)了米格31噴氣機(jī)時(shí)，全世界大為驚恐，唯一對(duì)策只有盜取這架超性能之飛機(jī)，而有能力擔(dān)任此任務(wù)的就只有越戰(zhàn)空中英雄甘德，甘德終于被說服由退休生涯中復(fù)出，接受一連串的特種訓(xùn)練后，前往俄國并與俄國特務(wù)數(shù)次交手，展開一場(chǎng)驚心動(dòng)魄的激烈空戰(zhàn)……