殺人度假村

★ 5.4 播放：20萬 更新：2026-04-28
主演：未知

《殺人渡假屋》是縱橫制作有限公司出品、寰宇影片發(fā)行公司發(fā)行的香港電影，由劉寶賢導(dǎo)演，鄭浩南、顏仟汶、羅蘭等主演。 >>>

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《殺人渡假屋》是縱橫制作有限公司出品、寰宇影片發(fā)行公司發(fā)行的香港電影，由劉寶賢導(dǎo)演，鄭浩南、顏仟汶、羅蘭等主演。 >>>

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全境災(zāi)變

　　在一場(chǎng)死亡率不是1%，而是98%左右的疫情之后，艾莉離開了她的街區(qū)，到了一個(gè)新的城市，在那里她遇到了奎恩，一個(gè)對(duì)新世界有獨(dú)特生存之道的人。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

熒屏在發(fā)光

　　歐文（賈斯蒂斯·史密斯 Justice Smith 飾）和麥迪（布里蓋特·倫迪·佩恩 Brigette Lundy-Paine 飾）因一檔深夜超自然節(jié)目而結(jié)緣，然而這檔節(jié)目卻神秘地被取消了，在暗淡的電視燈光下，他們對(duì)現(xiàn)實(shí)的看法開始變得模糊不清。