紅字2004

★ 6.0 播放：15萬 更新：2026-04-27

綺勛（韓石圭飾）是名出色的刑警，然而在私人生活卻沒有著到道德之外的選擇：他在妻子之外還有著一個熱辣的情人。妻子秀賢（嚴智媛飾）端莊優雅、溫柔賢惠，酒吧歌手佳喜（李恩珠飾）充滿著誘惑力。她們撐起了他生活的另一面。一天他接到任務調查照相館主人兇殺案，死者妻子慶熙（成賢娥飾）成為最具嫌疑的人選，然而這個女人卻自有一股難言的魅力，他感到自己已經沉醉其中，綺勛因為妻子原因，想和佳喜一刀兩斷而難斷。而佳喜將綺勛的愛當作唯一的信念，當綺勛提出分手時，她陷入了絕望痛苦，她什么都不要，只要他的心。背后的真相撲朔迷離，暴風雨

在線播放

劇情簡介

綺勛（韓石圭飾）是名出色的刑警，然而在私人生活卻沒有著到道德之外的選擇：他在妻子之外還有著一個熱辣的情人。妻子秀賢（嚴智媛飾）端莊優雅、溫柔賢惠，酒吧歌手佳喜（李恩珠飾）充滿著誘惑力。她們撐起了他生活的另一面。一天他接到任務調查照相館主人兇殺案，死者妻子慶熙（成賢娥飾）成為最具嫌疑的人選，然而這個女人卻自有一股難言的魅力，他感到自己已經沉醉其中，綺勛因為妻子原因，想和佳喜一刀兩斷而難斷。而佳喜將綺勛的愛當作唯一的信念，當綺勛提出分手時，她陷入了絕望痛苦，她什么都不要，只要他的心。背后的真相撲朔迷離，暴風雨

人氣佳作

后座

哈利·米爾林,亞歷山大·斯卡斯加德,道格拉斯·霍奇,萊斯利·夏普,安東尼·威爾士,杰克·謝爾斯,Miranda Bell,比利·金,Rosie Sheehy,Stevie Raine,喬治婭·赫利爾,杰克·夏普,Michael 'Mike' Jones,尼克·菲吉斯,卡夫奇奇·米哈,保羅·塔利斯,Kevin Bazeley,Christina Carty,扎米爾·梅斯蒂,Jacob Carter

驚魂記1960

安東尼·博金斯,維拉·邁爾斯,約翰·加文,珍妮特·利,馬丁·鮑爾薩姆,約翰·麥克因泰,西蒙·奧克蘭,弗蘭克·艾伯森,帕特里夏·希區柯克,沃恩·泰勒,盧倫·塔特爾,約翰·安德森,莫特·米爾斯,吉特·卡森,維吉尼亞·格雷格,阿爾弗雷德·希區柯克,珍妮特·諾蘭,羅伯特·奧斯本,海倫·華萊士,Fletcher Allen,沃爾特·培根,弗朗西斯·德塞爾斯,喬治·多克斯塔德,喬治·埃爾德雷奇,哈珀·弗萊厄蒂,薩姆·弗林特,弗蘭克·基爾蒙德,泰德·奈特,帕特·麥卡弗里,漢斯-喬基姆·默比斯,弗雷德·謝威勒

星際變種

劉敬宇,楊舒婷,凱洱,麥小龍,王藝曈,袁近輝,鄢子綸,李巖研,劉峰超,Alexander Zerrath,狼森,Eric Joseph Heise,蒂娜·柯林斯,Chelsey Mark,大衛·雷登,Norbert M.DuBois,趙鵬濤

兩個世界一個愿望

漢黛·埃塞爾,梅廷·阿克杜爾格,哈塞·阿維尼·丹亞爾,Ipek Erdem,迪德姆·英瑟勒,塞爾坎·廷馬茲,Idil Firat,拉米·納林,Ilayda Orkut,Eylül Su Sapan,梅爾特·埃格·阿克,Ihsan Ilhan,Deniz Duygu K?se,Nazlican Demir,Erdal Bilingen

導演精選

復仇新娘

　　擁有一個成功的美發沙龍，即將嫁給她夢想中的男人，MIYA認為事情不會變得更好。當她收到婚禮邀請時，事情很快就開始崩潰——她的未婚妻伊恩和前未婚妻洛里的婚禮。不久，宮被一個穿著婚紗和面紗的怪異新娘跟蹤，伊恩開始懷疑宮可能正在編造這一切。當一系列可怕的事件開始發生時，宮先生確信莉莉正在實施一個扭曲和致命的復仇計劃

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

安昂傳奇：最后的氣宗

 派拉蒙和尼克宣布“降世神通”系列開發三部新的電影，仍是動畫形式。第一部由《降世神通：最后的氣宗》導演Lauren Montgomery執導，《最后的氣宗》主創Bryan Konietzko和Michael DiMartino擔任制片人。