正義回廊 正義迴廊
香港某個破舊逼仄的房間,不斷散發著怪異的味道。接到線報后,警方破門而入,繼而在兩個顯得尤其突兀的冰箱內發現兩顆人頭。死者是一對夫婦,他們被人殺害后還遭到殘忍分尸。更讓世人震驚的是,手段狠辣無情的兇手不是別人,正是夫婦倆的親兒子張顯宗(楊偉倫 飾)。張的家境富庶,其哥哥是一名優秀的律師,而他也按照父母的規劃培養前往海外留學深造。但與哥哥不同,張顯宗平庸無為,學業事業坎坷多多,而來自父母的輕視更讓他漸趨扭曲。被捕之后,張的共犯——一個看似和張家沒有任何瓜葛的男人——唐文奇(麥沛東 飾)浮出水面,他們讓法庭審判變得撲朔迷離…… 本片根據2013年真實事件改編,并獲得第41屆香港電影金像獎16項提名。
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杰瑞米·西斯托,杰西卡·貝爾金,格倫·古爾德,Levon Panek,Tara Raani,Jack DiFalco,泰勒·科瓦爾斯基,Sebastian Delascasas,Christopher M. Lopes,Brian Wolfe,Kayla Harrity,Michael Giannone,Joji Otani-Hansen靶場
凱莉·康奈爾,史蒂芬妮·皮爾森,羅德·埃爾南德斯,安東尼·科洛,阿萊克薩·伊姆斯,杰森·托比亞斯,Aion Boyd,Eric Matuschek,Ikumi Yoshimatsu,Hana Burson,Chris Powell,Graham Skipper,Nick Burson,Emory Lawrence半身死靈2
巖田小百合,仲村美羽,長宗我部陽子,松島初音,真知里沙,山本彩乃,朝倉蜜柑,安藤成子,水木薫,川上洋一郎,大島優子親陌公園
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賭俠大戰拉斯維加斯
劉德華,張家輝,陳百祥,林熙蕾,郁芳,萬梓良,李菲,王晶,南燕合力擊敗馬交文之后,king(劉德華 飾)與化骨龍(張家輝 飾)聯合化骨龍的表哥阿叻(陳百祥 飾)騙取了惡人大眼文一筆錢。當他們打算享受一番之際,大眼文把化骨龍抓走了。King與阿叻則被警方帶到與中方高層見面,他們被派往拉斯維加斯捉拿大老千Peter朱(萬梓良 飾)。為了得到巨款拯救化骨龍,king接受了這次任務,前往拉斯維加斯。 在拉斯維加斯,小心(郁芳 飾)與阿扁(林熙蕾 飾)一心想找到金龜婿,后來加入了king的老千行列。終于他們遇到了Peter,兩人互相欺騙更多次交手,敵意漸生。 King用阿扁做餌勾引Peter成功,他們經由沙漠公路到洛杉磯,途中Peter極力逃脫。眾人在沙漠奮力搏斗。Peter的手下竟然用直升機拯救,幸好king神機妙算,順利把Peter帶回香港。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
騷亂俱樂部
杰西卡·布朗·芬德利,娜塔莉·多默爾,山姆·克拉弗林,道格拉斯·布斯,荷麗黛·格蘭杰,馬克斯·艾恩斯,薩姆·里德,湯姆·霍蘭德爾,奧利·亞歷山大,本·施耐澤,托尼·威,弗萊迪·福克斯,馬修·比爾德,Amanda Fairbank-Hynes,澤維爾·阿特金斯 Xavier Atkins,杰克·法辛影片追隨兩位牛津大一新生,Miles(麥克斯·艾恩斯)以及Alistair(《饑餓游戲》男星山姆·克拉弗林),他們加入“騷亂俱樂部”(Riot Club)的過程和經歷。根據電視特輯所說,騷亂俱樂部成員不到十人,都是精英中的精英,而要進入這個精英團體可不容易,隨后的片段中,Alistair 就喝下了一杯,加了煙頭、蠕蟲等各種難以想象的惡心“佐料”的紅酒。 影片改編自2010年火爆倫敦的劇作“Posh”,騷亂俱樂部的原型據說是牛津大學著名的布靈頓俱樂部(Bullingdon Club),英國許多政要,包括首相卡梅倫,倫敦市長鮑里斯·約翰遜都是其中成員。其奢華的晚宴,以及狂暴的“入會儀式”,比如在學校餐廳和寢室“打砸搶”等,也同樣出名。
富二代
Sergey Abroskin,米洛斯·比柯維奇,亞歷山德拉·伯蒂奇,瑪麗亞·米羅諾娃,Aleksandr Oblasov,伊萬·阿赫洛貝斯金,亞歷山大·斯莫勒克格里戈(米洛斯·比柯維奇 Milos Bikovic 飾)是銜著金湯匙出生的千金大少爺,從小就過著嬌生慣養、養尊處優的日子,在蜜糖罐里泡大的格里戈自然培養出了蠻橫嬌縱不學無術的擺爛個性,并且因為他的橫行霸道,惹出了種種的麻煩要他老爸給他擦屁股。終于,在又一次闖禍之后,格里戈的老爸忍無可忍,他決定好好的教育一下自己的兒子。 格里戈的老爸和他的好友——一位精神病學家一起盤下了一座廢棄多年的村莊,將它重新修整成為了19世紀的模樣,之后,兩人策劃了一場車禍,當格里戈從昏迷中醒來后,震驚的發現自己“穿越”回了19世紀,成為了當時的一位有錢人家的奴隸。
毒鯊
克里斯蒂娜·馬斯特森,克里斯蒂娜·馬斯特森,Michelle Cortés當客人意識到有毒的鯊魚正在滋生周圍的水源時,一個熱帶單身度假勝地將會轉瞬即逝。 它不僅會撕裂受害者,而且還會使用拋射酸來進出水中。