女仆日記 Journal d'une femme de chambre
故事發生在1900年左右的法國。時髦少女塞萊絲汀從動蕩不安的巴黎來到諾曼底當家庭女仆。在蘭萊爾一家人的別墅里，她面對的是好色的男主人和他那性冷淡、專橫和嫉妒心強的妻子。塞萊絲汀決心避免遭遇廚師瑪麗安的悲慘命運——自己結婚生下的孩子死去了，但絕望發現自己又懷上了。這個年輕 的女仆對神秘的男仆約瑟夫的行徑感到好奇：他四處分發反猶太傳單，并暗示她可以在瑟堡為他從事妓女工作。 繼讓•雷諾阿（1946）和路易斯•布魯諾爾（1964）之后，伯努瓦•雅克再次選擇奧克塔夫•米爾博的小說來對資產階級進行冷嘲熱諷。影片以一個竭力保全自己生活的年輕女人為主角，通過其日記的視角，雅克展現了看似無力的力量和似乎有力的無力性。女仆的形象揭開了20世紀早期隱藏的黑暗腹地，也暗示了當今生活的不安定性。
即刻觀影
劇情賞析
編輯推薦
大蛇5：怪獸都市
張傲月,梁頌晴,包貝爾,釋彥能,姜超,苑瓊丹,石兆琪,鄔天,譚琍敏,毛凡太平洋雨夜，海灘尸骸遍野，貨船遭巨獸撕碎，災難預兆降臨。邊郊監獄內，死刑犯烏川臨刑前夜遇史前大蛇襲擊，混亂中越獄，卻在唐人街被女警秦雅擒獲。 恰逢驲琿化工爆發蛇災，烏川母親被困車間，他拒捕欲救人，此時各類史前怪獸肆虐，城市淪為煉獄。二人與幸存者躲進超市，合力斬殺潛藏怪物。眾人查明，驲琿化工違規排海才引生物報復。 吳川挺身營救母親與幸存者，擊敗大蛇阻止二次污染
維也納戰役
F·默里·亞伯拉罕,恩里克·洛維索,杰茲·斯科利莫夫斯基,艾麗卡·巴赫蕾達-庫魯斯,彼得·亞當奇克,Andrea Iaia,克萊爾·布魯姆,Matteo Branciamore,Marius Chivu,安東尼奧·庫普,喬治·盧帕諾,菲德莉卡·馬丁內莉,詹尼·穆西,達尼爾·奧勒布里斯基,伊莎貝拉·奧爾西尼,波利斯·席克,約爾戈·沃亞吉斯,山內春彥,沃伊切赫·麥克瓦爾達斯基,白蘭度·帕奇托,安吉麗卡·卡琪亞帕格莉亞,馬達林·德拉甘,斯蒂芬·揚庫,Edward Linde-Lubaszenko,Daniel1453年，東羅馬帝國陷落后，地處中歐的神圣羅馬帝國，不得不直接面對土耳其人的侵擾。土耳其人熱衷擴張，雖然他們信奉伊斯蘭教，但他們認為他們才是真正的“羅馬皇帝”，神圣羅馬帝國的皇位，已由哈布斯堡王朝掌權兩百年，他們是基督教世界的最后保衛者，雙方再維也納一決高下：一方信誓旦旦，另一方誓死捍衛。
昆池巖
魏嘏雋,樸智賢,吳雅妍,文藝媛,樸成焄,柳濟允,李承旭原名南營神經精神醫院的昆池巖精神病院，最早建立于20世紀60年代。在特殊的時代它曾經歷了無比的輝煌，然而更為人熟知的則是該醫院身上所發生的各類恐怖事件。現如今，早已廢棄的昆池巖醫院被CNN票選為全球七大恐怖之地之一，更由此吸引無數尋求刺激的青年男女來此探險。三個月前，兩名青少年來此探險，結果在直播中遭遇詭異事件，下落不明。此后，《恐怖世代》劇組在魏河俊的召集下，網羅了吳雅妍、樸智賢、夏洛特（文藝媛 飾）、李丞旭、樸成勛、劉帝允等人前往昆池巖，更試圖打開備受詛咒的402室。 夜幕降臨，全球網友一道觀看這場恐怖盛宴……
驚爆魔盜團
祖爾·阿里芬,Sharnaaz Ahmad,Amelia Henderson,Nadhir Nasar,鄭斌輝,Yasmin Hani,呂楊,米勒·可汗,Elvina Mohamad,G Theebaan,Anas Ridzuan,Wan Raja,Mustaqim Bahadon,Aanantha Rajaram,Shamini Shradha,Alicia Amin,陳沛江,Sherry Al JeffryA skilled magician recruits an unlikely team for a daring heist to acquire a valuable gem. As they navigate their intertwined histories and escalating stakes, they must master deception, confront vulnerabilities.
河流如血
泰雅·迪格斯,約翰·庫薩克,喬治·洛佩茲,盧克·海姆斯沃斯,Gianni Capaldi,布萊恩娜·伊維根,RJ·米特,Steven Berrebi,賈克琳·弗萊明,陶竤,伊薇特·帕里什The son of an African-American Judge is killed by police officers on the day he was set to begin law enforcement academy. When the courts clear the officers of wrongdoing, the Judge must decide whether the courts are the only arbitrators of justice.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.