在線播放
劇情簡介
在音樂學院就讀的Akane專長是吹長笛,但是突然有一天失去了自信。她在學校認識的朋友Midori推薦她去看看心理醫生Kuroko,通過催眠療法,Akane漸漸恢復了自信,但是身體上卻出現了奇怪的傷痕,Akane的朋友Aoi 也有同樣的問題。到底是怎么造成的呢,讓我們一起揭曉吧.....
同類好片
外星精神病
Steve Baran,Jackson Berlin,Lee Tomaschefski詛咒之刃
逃出食人農場
Kate Marie Davies,Barrington De La Roche,David Lenik,Rowena Bentley,Toby Wynn-Davies,Peter Cosgrove,Joe Street,Dylan Curtis,Sam Lane,Jackson Wright,Kate Llewellyn,Adam J. Morgan,Tim J. Henley,Harrison Nash,Jack Miller最佳拍檔3:女皇密令
許冠杰,麥嘉,張艾嘉,許冠英,曹達華尋愛之旅
麥克·辛,馬克·阿蒂,吉姆·卡特,馬克·斯特朗讓她走
Alanna LeVierge,Nina Kiri,Adam Christie,Kate Fenton,Michael Lipka,Brooke Henderson,Glen Reid,Deborah Jayne Reilly Smith,Kyle Hytonen,Paul McGinnis,Eric Picard人氣佳作
侏羅紀公園
山姆·尼爾,勞拉·鄧恩,杰夫·高布倫,理查德·阿滕伯勒,鮑勃·佩克,馬丁·費雷羅,約瑟夫·梅澤羅,阿麗亞娜·理查茲,塞繆爾·杰克遜,黃榮亮,韋恩·奈特,杰拉爾德·R·莫倫,米蓋爾·桑多瓦爾格吉(殺人鬼)
卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????政壇新星
艾瑪·麥基,杰米·李·柯蒂斯,伍迪·哈里森,阿尤·艾德維利,杰克·勞登,庫梅爾·南賈尼,艾伯特·布魯克斯,麗貝卡·豪爾,朱莉·卡夫娜,貝琦·安·貝克,斯派克·費恩,茜多·塞絲,Amelie McKendry,阿德里安·M·蒙波因特,喬伊·布魯克斯,埃里卡·麥克德莫特,肖恩·菲茨吉本,Kellen Raffaelo,Carrie Adams,Michael Steven Costello嘔吐戈爾:殺戮
導演精選
快樂獵殺
一個酗酒的二逼必須跟另一幫沙漠里面腦子有病的殘忍土老帽兒玩兒被獵殺的游戲,你覺著他能堅持到最后么 五名酗酒者, 成為貝德福德平原狩獵小鎮的狩獵對象, 而沃倫則是佼佼者, 他們與鎮民展開了輸死搏斗, 面對全副武裝的鎮民, 他們能否逃出升天? 得知前女友在墨西哥過世而且留下他們的女兒,酒鬼沃倫決定當個好父親,開始戒酒並前去接回女兒。途經一座沙漠小鎮停車休息,卻在當地意外陷入昏迷;再醒來後,沃倫發現自己恰巧遇上小鎮的狩獵季節,而獵物竟是沃倫與其他旅客!除了要應付鎮民的瘋狂追殺,同時還要克服不斷襲來的戒斷癥狀,沃 倫能否順利逃出沙漠,與女兒共享天倫之樂?
孤獨犯罪狂
當一位孤獨的真正犯罪迷遇到她最喜歡的播客主持人時,浪漫擦出了火花,但事情很快變得奇怪,因為他對她的迷戀變成了癡迷,而他最新的劇集似乎圍繞著她最終的謀殺展開。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.