猴子再見

? 2.8 播放:89萬 2026-04-29

這是一個現代寓言。法國青年拉法耶特與意大利中年男子諾查羅徘徊在紐約。拉法耶特在弗萊克曼看管的一間"羅馬博物館"工作,并在一所"婦女覺醒劇團"兼職。有一天,他遭到了劇團的一個女人的強奸,而他和諾查羅的住處竟遍地是老鼠的廢墟。隨后,他又收養了一個人猿的幼嬰。在撫養幼嬰的過程中,諾查羅不小心填錯了資料,讓小人猿變成了名正言順的紐約公民。諾查羅卻自殺身亡,將財物遺贈給人猿。后來,法拉耶特赫然發現人猿慘遭眾鼠的吞噬。當初強奸他的女人成了他的女友。弗萊克曼一向不喜歡猴子,一怒之下,放火燒毀了博物館和拉法耶特……

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劇情提要

這是一個現代寓言。法國青年拉法耶特與意大利中年男子諾查羅徘徊在紐約。拉法耶特在弗萊克曼看管的一間"羅馬博物館"工作,并在一所"婦女覺醒劇團"兼職。有一天,他遭到了劇團的一個女人的強奸,而他和諾查羅的住處竟遍地是老鼠的廢墟。隨后,他又收養了一個人猿的幼嬰。在撫養幼嬰的過程中,諾查羅不小心填錯了資料,讓小人猿變成了名正言順的紐約公民。諾查羅卻自殺身亡,將財物遺贈給人猿。后來,法拉耶特赫然發現人猿慘遭眾鼠的吞噬。當初強奸他的女人成了他的女友。弗萊克曼一向不喜歡猴子,一怒之下,放火燒毀了博物館和拉法耶特……

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這個男人來自地獄

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周二謀殺定律

亞歷克斯·加西亞,茵瑪·奎斯塔,阿娜·瓦格納,卡拉·坎普拉,貝倫·洛佩茲,戈爾卡·萊斯奧薩,Mia Zafra,Carmen Ruiz,Xavi Lite,保羅·皮雷,貝爾·蒙特羅,Saida Benzal,阿德里亞諾·卡瓦略,路易莎·加瓦薩,拉克爾·佩雷斯,Romeu Runa,Elsa Galv?o,佩德羅·卡薩布蘭科,Tiago Sarmento,Marga Arnau

梵蒂岡錄像帶

杰曼·翰蘇,凱瑟琳·羅伯特森,邁克爾·佩納,多格雷·斯科特,邁克爾·帕爾,約翰·帕特里克·阿梅多利,丹尼爾·伯哈特,奧利維亞·泰勒·達德利,彼得·安德森,卡斯·安瓦爾,布魯諾·岡恩,肯特·紹克內克,梅爾·法爾,Noemi Gonzalez,泰米娜·森尼

無主之人

伊利亞·伍德,盧克·柯比,阿萊卡薩·帕拉迪諾,羅伯特·帕特里克,W·厄爾·布朗,Gilbert Owuor,克里斯蒂安·克萊門松,雨果·阿姆斯特朗,尼卡恩·羅賓遜,威爾·哈里斯,Emily Berry,Steven Pritchard,Jarrett Sleeper,道格·考克斯,湯姆·維圖

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許成泰,趙福來

陽光姐妹淘2011

沈恩敬,閔孝琳,姜素拉,南寶拉,陳熙瓊,金時厚,柳好貞,樸真珠,李妍京,金甫美,千玗嬉,李璟榮

擂臺兄弟

阿俊·阿肖坎,羅尚·馬修,維沙克·奈爾 ,Ishan Shoukath,Carmen S Mathew,Siddique,Syamaprakash M.S.,Thezni Khan,拉克施米·麥儂,Mammolotti

幕后花絮

詭秘陰宅

 一對年幼的兄弟跟家人一起從大城市搬到偏遠小鎮,卻發現新家并不單純。他們能否與新朋友們一起解開家中的險惡謎團?

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.