人妻陽菜

　　末日喪鐘再度敲響，帶領觀眾直視人性毀滅的煉獄，感染者的威脅和幸存人類的邪惡。

　　一位陷入哀痛的女子，前往偏遠的森林深處，希望在那找到慰藉。卻遇到了一位陌生人向她注射了一種麻痹劑。隨著麻痹劑逐漸侵蝕她的身體，她必須在全身神經系統完全癱瘓前逃跑、躲藏并為生存而戰。

清末，記者黛雪揭發妖道利用僵尸販運少女。幕后黑手是明朝后裔七公主，她借販賣少女籌復國經費，并將哈布參將煉為僵尸。暴露后，七公主放出吸血鬼威廉，哈布恢復意識迎戰。危急時師兄石敢當趕到，眾人合力鏟除七公主與威廉。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.