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昭和殘俠傳：唐獅子仁義
高倉(cāng)健,藤純子,池部良,待田京介,小林千枝,志村喬格拉德貝克人質(zhì)事件
薩沙·亞歷山大·吉爾薩克,亞歷山大·謝爾,Marie Rosa Tietjen,阿爾布雷希特·舒赫最終測(cè)試
安東尼·邁克爾·豪爾,查理·吉爾萊斯皮爾,漢娜·凱普爾,約翰·卡普洛斯,利麗克·羅斯鱷魚萊萊
肖恩·蒙德茲,哈維爾·巴登,吳恬敏,斯科特·麥克納里,溫斯洛·費(fèi)格雷,布倫特·吉爾曼,薩爾·維斯庫(kù)索,多恩·迪皮塔,尤西·丘辟特,科拉·林德?tīng)?馬克·威爾斯,林賽·莫澤,丹尼·所羅門我爸救了圣誕節(jié)2
圣地亞哥·塞古拉,埃內(nèi)斯托·塞維利亞,Pablo Chiapella還魂之迷失曼谷
范逸臣,李昕蕓,李媛,雪村同類推薦
大明嬪妃之困斗
宋洋,何杜娟,朱一龍,陳一諾十年之后，新太子妃因病去逝，留下一子朱由校，太子消沉，王恭妃常年生病，三皇子回京被冊(cè)封，姚芊芊被囚禁……鄭貴妃誓要奪取太子之位。王恭妃心急如焚，情急之下，梅兒說(shuō)出蘭心并沒(méi)有死，并回憶：原來(lái)蘭心并沒(méi)有瘋，因?yàn)樗裏o(wú)法面對(duì)太子，請(qǐng)求梅兒放她走，于是梅兒送走了蘭心，并說(shuō)出蘭心一直住在蓮花庵。王恭妃不顧病體，拼死懇求蘭心歸來(lái)，蘭心最終答應(yīng)了王恭妃。后王恭妃逝世。鄭貴妃安排萬(wàn)歷并不知情。蘭心趁機(jī)偷偷面見(jiàn)，告知王恭妃的死訊，最終蘭心去了吉壤，半夜三更，道士刺殺太子，梅兒追蹤，結(jié)果摔下山，蘭心趕到，救了太子，太子暈迷，并在山下發(fā)現(xiàn)了梅兒……太子醒后與蘭心相認(rèn)了，后來(lái)蘭心無(wú)意中說(shuō)漏嘴，無(wú)奈告訴了太子事實(shí)的真相，太子傷心欲絕。萬(wàn)歷把鄭貴妃叫到跟前，斥責(zé)對(duì)王恭妃的死訊隱瞞不報(bào)，并且萬(wàn)歷知道鄭貴妃派人行刺一事， 鄭貴妃被禁足。最終按皇貴妃的禮制厚葬了王恭妃
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
隔壁的外星人
宇野祥平,前田旺志郎,吉村優(yōu)花,豬塚健太本片改編自同名短篇科幻小說(shuō)，講述了某一天開(kāi)始在世界道路上行駛的無(wú)數(shù)球的故事，以交通事故為界變得無(wú)緣無(wú)故被人討厭的男人的悲劇，因?yàn)閳A盤故障開(kāi)始與住在附近的宇宙人的交流等。
執(zhí)法記錄
杰米·M·卡利卡,肖恩·羅格森,凱瑟琳·拉夫·哈格奎斯特,Angel Prater,基岡·康納·特雷西,Chris Casson,Elizabeth Longshaw,Colette Nwachi,Joe Perry,Kevin Doree兩名警察在出警處理一樁家庭糾紛時(shí)，不慎釀成了一起槍擊意外。為了避免成為輿論的眾矢之的，他們選擇聯(lián)手掩蓋真相。隨著事態(tài)逐漸失控，他們才驚覺(jué)——監(jiān)視他們的，遠(yuǎn)不止現(xiàn)場(chǎng)的攝像頭…
幽閉空間
杰森·帕特里克,路易莎·克勞瑟,馬克·馬戈利斯THE CONFINES is a claustrophobic thriller that follows a troubled young woman who, in a last-ditch effort at getting her life together, takes a job working nights as a security guard at an abandoned luxury apartment building. Stuck with a brusque rent-a-cop as her partner, she tries to not let her mind play tricks on her while she patrols the empty halls. But as the night progresses strange things begin to happen - and she realizes it may not all be in her head.