劇情簡介
講述了一對生活在一起的夫妻倆，遇到了來家里作客的兄弟和他的妻子，兄弟的妻子竟然原本就和男主認識，而且兩人曾是情侶關(guān)系，如今舊人相見，舊情復燃，欲望之火也油然而生.....
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巨人的告別
奧斯卡·馬丁內(nèi)茲,馬蒂亞斯·邁耶,路易斯·盧克,亞歷克西婭·莫亞諾,Inés Estévez,Johanna Francella,Silvia Kutika失散多年的父親重新露面，這名導游必須應(yīng)對舊日傷痛，并做出一個決定二人未來的抉擇。
此時此地
蒙·康菲多,Lesley Lina,Yukihiko Mizomoto,尾野真千子,曼尼·帕奎奧,田邊桃子,Lou Veloso,Buboy Villar,結(jié)城貴史職業(yè)拳擊手神山英次在菲律賓試圖東山再起，卻始終未能獲得比賽機會，轉(zhuǎn)眼已至不惑之年。就在此時，長期失聯(lián)的女兒桃子突然造訪，命運的齒輪由此轉(zhuǎn)動。失去母親后無處可去的桃子，漂洋過海來投奔父親。 異國菲律賓的屋檐下，這對父女開始了生澀的同居生活。血緣的羈絆難以輕易填補十余年的空白，兩人笨拙地摸索著親子關(guān)系的形狀。 女兒身上總帶著“另一個自己”的影子，這段充滿磕絆卻暗藏溫情的日常，讓曾經(jīng)視野狹隘的神山逐漸學會環(huán)視周遭——塬來注視著他的，不止是桃子，還有更多人的目光…… 當比賽機會奇跡般降臨，英次為贏得屬于他們的容身之處毅然踏上擂臺。這部以拳擊為背景的作品，最終講述的是關(guān)于“父”與“子”共同成長的生命物語。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
火山下
威廉·萊維,瑪吉.斯班多斯,阿德里亞娜·托雷維哈諾,法比奧拉·瓜哈爾多,伊利婭·蓋爾拉,Pino Montesdeoca,Antón LoferA cataclysmic event serves as the backdrop for a passionate affair between two individuals torn between desire and the constraints of their circumstances.
倫敦呼叫
喬什·杜哈明,杰里米·雷·泰勒,里克·霍夫曼,艾丹·吉倫,阿諾德·沃斯洛,尼爾·桑迪蘭茲,布蘭登·奧雷,Daniel Lasker,丹尼·戴·維利爾斯,卡爾·桑寧,Nathan Castle,Matthew Dylan Roberts,Ntlanhla Morgan Kutu,杜馬尼·西福塞蘇·姆蒂亞,Daniel Levi Thomas,Finnley Barnett,Francois Nel職業(yè)罪犯小吉爾伯特·加爾文（喬什·杜哈明 飾）從美國監(jiān)獄逃出并越過邊境進入加拿大，在加拿大，他化名為羅伯特·懷特曼，有了新的身份。 在墜入愛河并結(jié)婚后，他聲稱接受了一份旅行安全顧問的工作，但他大膽的犯罪行為仍在繼續(xù)。在他向終身黑幫成員湯米尋求投資后，他的事業(yè)變得更加復雜，他卷入了加拿大歷史上最大的搶劫案，這使他成為跨國追捕的核心人物。
別怕，是我
凱拉·贊德爾十五年前，莉茲的前男友德魯因搶劫銀行而被捕。如今，德魯突然出現(xiàn)在她家後院，請求她讓自己暫時藏匿。莉茲竟答應(yīng)幫忙，但前提是要她老公不在家。
楊非與高俐
劉道玄,彭必瑤,潘國棟,劉占奎,陳緯,高果高俐醉酒被強哥等人綁架索贖金一億，楊非因父需百萬手術(shù)費趕路時車被同一伙劫匪搶走。二人相遇后，楊非助高俐斗綁匪，發(fā)現(xiàn)高俐與曾因治妻病抵押房產(chǎn)、借高利貸卻致家庭破裂的父親有矛盾。最終高俐獲救，與父和解，楊非湊齊手術(shù)費，二人相戀。