北地胭脂

7.6 播放:52萬 更新:2026-04-24

民國初年的北京,前朝遺少張三少爺為結識新政府朋友來到清吟小班“蕙蕓館”,偶然發現了老鴇沈三娘不愿為外人所知的院中女子們的愛恨情仇...

播放通道

詳細簡介

民國初年的北京,前朝遺少張三少爺為結識新政府朋友來到清吟小班“蕙蕓館”,偶然發現了老鴇沈三娘不愿為外人所知的院中女子們的愛恨情仇...

同類推薦

不明影像:絕對點擊禁止

樸寶英,周元,江星

  在網絡監查科兼職的大學生俊赫,為了和生氣的女友世熙(樸寶英 飾)重歸于好,轉而求助于女友的妹妹——高中女孩靜美。靜美是一個沉迷以來網絡的時尚女孩,她答應幫助俊赫,條件是俊赫能幫她找一些網上封禁的稀奇古怪的視頻。萬般無奈,俊赫只得幫忙尋找,誰知卻意外下載到一段詭異的視頻。這段視頻每次的文件名每次都會改變,每次打開后也會呈現不同的內容,甚至在看完之前都無法關閉。倒霉的靜美似乎恰恰碰上了那個傳說中的詛咒視頻,在此之后,她的周圍接連發生詭異事件。  網絡時代帶來便利,也衍生了假象與罪惡,通往地獄的大門慢慢開啟……

幻視

南奎麗,李天熙,李奎翰,東鉉培,金宰范,鄭恩星,薛智允,崔大成,金光炫,吳雅琳,趙漢善,鄭敬淏

  該片講述因神經衰退正在接受治療的智敏在親眼目睹肇事逃逸事故后,總是分不清現實和幻想,并因此經歷了神秘事件的故事。南奎麗飾演女主角智敏,這也是她時隔三年重返銀幕,并首次挑戰驚悚片,電影計劃于今年9月開拍,預計將于2018年上半年上映。

著牛仔褲的鐘馗

成奎安,葉蘊儀,王小鳳,葉子楣

  香德祖(成奎安 飾)是一名香港皇家警察,他的老婆(王小鳳 飾)懷孕待產,夫妻二人親密非常。這一日,他們去醫院檢查的路上,遭遇一伙銀行劫匪。出于職責,香拋下妻子奮勇上前追擊。經過一番追車和搏斗,香制服歹徒,卻被匪首暗算,致使鋼筋穿胸而死,尸體被埋于亂鐵之中。是夜,一只黑貓跳上香的身體,剛好猛雷劈下,香竟奇跡般復蘇,變成活脫脫的僵尸。他復活后力大無比,但害怕陽光,還需要定期充電。香自知時日無多,決定對妻子隱瞞這個秘密,并將銀行劫匪繩之以法。  另一方面,匪徒當初逃跑時劫持少女Gucci(葉蘊儀 飾)為人質,混亂中Gucci拿著裝錢的箱子逃跑。憤怒的劫匪四下尋找Gucci,當他們得知香還在人間之時,一番正邪大戰在所難免……

ChaO,我代表人類跟人魚結婚了

鈴鹿央士,山田杏奈,山里亮太,宍戶佑名,梅原裕一郎,三宅健太,太田駿靜,土屋安娜,川島邦裕

  人間と人魚が共存する未來社會を舞臺とする本作。船舶を製造する會社で働くサラリーマンのステファンは、ある日突然、人魚王國の姫?チャオに求婚される。ステファンはわけがわからないままチャオと一緒に生活する中で、純粋でまっすぐなチャオに少しずつ惹かれていく。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.