播放通道
詳細(xì)簡介
熱門影視 大家都在看
父母姐弟
凱特·布蘭切特,亞當(dāng)·德賴弗,夏洛特·蘭普林,薇姬·克里普斯,湯姆·威茲,莎拉·格林,弗朗索瓦茲·勒布倫,茵蒂婭·摩爾,盧卡·薩巴,馬伊姆·拜力克八棺索財(cái)
喻恩泰,曹鶴陽,蘇濛濛寵物墳場2(2023)
杰克遜·懷特,娜塔莉·阿琳·林德,福勒斯特·古德勒克,Isabella LaBlanc,亨利·托馬斯,杰克·馬赫恩,大衛(wèi)·杜楚尼,薩曼莎·瑪西絲,帕姆·格里爾,克里斯蒂安· 杰達(dá),Steve Love,卡爾·格拉戈薩斯,文森特·萊克萊爾,Glen Gould,馬特·霍蘭德,泰德·惠托爾,John Boylan,Noah Labranche,Corgand Svendsen,Jude Beny有朵云像你
屈楚蕭,王子文,王皓,何藍(lán)逗,黃毅,陳庭煜,吳彥姝,牛犇,余嘉誠未來之心
喬新峰,曹艷,張恩碩,張德暉,宮蘇紋超時(shí)空獵殺
苗韻桐,郝艾莉,張晶同類推薦
電梯游戲
Megan Best,亞當(dāng)·哈蒂格,Gino Anania,Alec Carlos,納扎利·德姆克維奇,Verity Marks,Liam Stewart-Kanigan,Madison MacIsaac,Samantha Halas故事描述萊恩（吉諾亞拿尼亞 飾）的妹妹在幾個(gè)月前失蹤了，他認(rèn)為她失蹤的原因是玩了網(wǎng)路上流傳的“電梯游戲”，傳說只要照著特定步驟操作電梯，就可以前往另一個(gè)次元。為了找到妹妹，萊恩說服他的朋友們一同進(jìn)行電梯游戲，此舉卻為他們招來無法挽回的后果……
甜蜜恰好也三十
趙文琪,楊悅心,陳德容,鐘駿勝,黃柏鈞,紀(jì)宇電金領(lǐng)孟夏貌美強(qiáng)悍，精明神勇，卻因未婚夫出軌而崩潰；SPA技師湯玲柔弱呆萌，嬌甜黏人，一再對吃軟飯的男友無力自拔。一場葬禮讓兩個(gè)被同一個(gè)男人傷害的隱秘情敵變成了磕磕絆絆的塑料花，日常斗嘴吐槽，情誼卻不斷升級。年輕陽光攝影師金哲的出現(xiàn)撩撥得二女春心萌動，同時(shí)陷入瘋狂的境地。幾番爭斗下來，男神巋然無動。兩女身心俱疲，感受到作為女人的無奈與悲涼，同時(shí)從這段荒唐的雌競中幡然醒悟，對愛情和女性的尊嚴(yán)、價(jià)值生發(fā)出全新的體悟。金哲究竟情囑何方？兩個(gè)大齡女最終愛歸何處？假閨蜜如何煉就真友誼？
觀光路線
喬什·杜哈明,丹·福勒,米勒克爾·勞麗,Christie Burson,彼得·邁克爾·戈茨一對老友在公路旅行中被困沙漠，屢次求助無門酷暑難擋使他們暴力相向。
印度超人
佩麗冉卡·曹帕拉,赫里尼克·羅斯?jié)h,納薩魯丁·沙延續(xù)了印度英雄羅希的故事：羅希得到外星人所賦予的超能力與智慧后，邂逅了一位美麗女子并生下兒子克里許那。然而因?yàn)橐粓鼋煌ㄒ馔猓死镌S那失去了雙親，和祖母相依為命。 當(dāng)克里許那長大成人后，他發(fā)現(xiàn)自己除了從父親身上遺傳了俊俏臉龐外，竟同時(shí)擁有超能力，而這種力量將會改變他的一生。一次偶遇，克里許那愛上從新加坡來的少女琵莉亞，其后琵莉亞回國，克里許那傷心不已，祖母便建議他到新加坡去追尋自己的真愛。 一晚，克里許那與琵莉亞去欣賞一個(gè)馬戲團(tuán)表演，卻發(fā)生了大火，堵住了所有的出口，把觀眾和馬戲團(tuán)團(tuán)員都困在帳棚里。絕望的觀眾在火場中只能期待渺茫的奇跡。此時(shí)，克里許那馬上化身為奇魔俠并發(fā)揮了他強(qiáng)大的力量，拯救了所有在場的人。 經(jīng)此一役，克里許那領(lǐng)悟到他強(qiáng)大力量的背后，背負(fù)著保護(hù)大眾的宿命，而這個(gè)宿命的最終任務(wù)，就是對抗邪惡博士，阻止他控制世界的駭人計(jì)劃……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster