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挑戰(zhàn)未來3：殘酷獵殺
Sue Price,蒂姆·湯默遜,諾伯特·魏塞爾與世隔絕
Davina Reeves,Maria Abramova平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina毛骨悚然撞鬼經(jīng) 2011夏季特別篇
片平渚,蘆田愛菜,南澤奈央,戶次重幸,武井咲,岡本梓,中山優(yōu)馬,向井理,木村文乃,半海一晃,稻垣吾郎世界的主人
徐粹彬,張慧珍,金鄭植,姜彩允,李宰錫,樸知玧,金藝昶,高旻示,白賢珠,卞重熙,文惠仁,鄭恩京,李尚熙,李代延,金錫勛,林在赫超重警官
Sarun Cinsuvapala,Nutjaree Horvejkul,Somyos Matures,Supavitch Nepremwattana,Pramote Pathan,Suphachai Subprasert同類推薦
風(fēng)來之所
Slim Baccar,桑杜斯·哈桑,Eya Bellagha,Maya Blouza,穆罕默德·格拉亞,Lassaad Jamoussi,Saoussen Maalej,Lobna Noomene自父親去世以來，19歲的阿麗莎成了她患有抑郁癥的母親和年幼妹妹的照顧者。她只想逃離自己的責(zé)任以及身邊的痛苦。她最好的朋友梅赫迪（23歲）性格內(nèi)向，患有白癜風(fēng)。盡管他有文憑，卻仍然失業(yè)，這讓他覺得自己對(duì)不起家人。兩人都用幽默和想象力來逃避艱苦的生活。梅赫迪講述并繪制超現(xiàn)實(shí)主義的故事，而阿麗莎則盡可能地重新塑造自己的現(xiàn)實(shí)。當(dāng)他們得知全國(guó)范圍內(nèi)舉辦的一場(chǎng)繪畫比賽可能會(huì)改變他們的生活時(shí)，他們偷了一輛車，開始了一場(chǎng)瘋狂的公路旅行。他們的友誼經(jīng)受了考驗(yàn)，他們發(fā)現(xiàn)了突尼斯最好的一面和最壞的一面。他們的希望破滅了，但他們的旅程改變了他們。三個(gè)月后，梅赫迪非法移民離開了，因?yàn)榘Ⅺ惿療o法拋下她的家人。
廢柴同盟
曾志偉,吳鎮(zhèn)宇,邵美琪,黃卓玲,謝天華,盧海鵬,秦煌,林偉健電視臺(tái)的監(jiān)制阿南（曾志偉 飾）一直郁郁不得志，雖然才華橫溢，但是由于不善交際，做的都是一些冷門時(shí)段的節(jié)目。這日，他在一個(gè)公眾場(chǎng)合偶遇了過氣歌手阿Ken（吳鎮(zhèn)宇 飾），發(fā)現(xiàn)阿Ken想方設(shè)法都想上臺(tái)獻(xiàn)唱。看著阿Ken的古怪舉動(dòng)，阿南突然有了一個(gè)想法，發(fā)現(xiàn)了一條可以幫助二人成功的道路。阿南向阿Ken提出成為他的獨(dú)家代理人，并幫他重新包裝，保證他一定能咸魚翻身。原來，阿南的計(jì)劃就是讓Kenny裝瘋賣傻，全力吸引傳媒的視線，為了能再次踏上舞臺(tái)，阿Ken答應(yīng)了。 果然如阿南所料，Kenny的瘋癲行為引來了大批傳媒，他也迅速走紅。此時(shí)，電視臺(tái)為了能讓Kenny來上節(jié)目，只好滿足阿南的要求，將他調(diào)到熱門時(shí)段的節(jié)目讓他大展拳腳。正當(dāng)這對(duì)伙伴的事業(yè)一帆風(fēng)順時(shí)，一個(gè)艱難的抉擇卻擺在了阿南面前。
著牛仔褲的鐘馗
成奎安,葉蘊(yùn)儀,王小鳳,葉子楣香德祖（成奎安 飾）是一名香港皇家警察，他的老婆（王小鳳 飾）懷孕待產(chǎn)，夫妻二人親密非常。這一日，他們?nèi)メt(yī)院檢查的路上，遭遇一伙銀行劫匪。出于職責(zé)，香拋下妻子奮勇上前追擊。經(jīng)過一番追車和搏斗，香制服歹徒，卻被匪首暗算，致使鋼筋穿胸而死，尸體被埋于亂鐵之中。是夜，一只黑貓?zhí)舷愕纳眢w，剛好猛雷劈下，香竟奇跡般復(fù)蘇，變成活脫脫的僵尸。他復(fù)活后力大無比，但害怕陽光，還需要定期充電。香自知時(shí)日無多，決定對(duì)妻子隱瞞這個(gè)秘密，并將銀行劫匪繩之以法。 另一方面，匪徒當(dāng)初逃跑時(shí)劫持少女Gucci（葉蘊(yùn)儀 飾）為人質(zhì)，混亂中Gucci拿著裝錢的箱子逃跑。憤怒的劫匪四下尋找Gucci，當(dāng)他們得知香還在人間之時(shí)，一番正邪大戰(zhàn)在所難免……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
紅色之州
邁克爾·帕克斯,梅麗莎·里奧,約翰·古德曼,邁克爾·安格拉諾,凱爾·加爾納在一個(gè)平凡的美國(guó)小鎮(zhèn)，同性戀男孩被人殺害，他的死卻引起了廣泛爭(zhēng)議。自稱代表上帝的牧師艾賓·庫(kù)伯（麥克·帕克斯 Michael Parks 飾）帶領(lǐng)信眾游行示威，控訴著世間各種丑態(tài)與罪行。另一邊，高中生特拉維斯（Michael Angarano 飾）、賈羅德（Kyle Gallner 飾）、比利-雷（Nicholas Braun 飾）卻相約夜晚出行，尋找屬于青春時(shí)代的放浪與刺激。誰知渴望狩獵的少年，反倒成了他人的獵物。他們落入庫(kù)伯及其信眾的陷阱，隨時(shí)都會(huì)失去生命。 另一方面，美國(guó)槍支管理局的特工約瑟夫·吉南（約翰·古德曼 John Goodman 飾）逐漸掌握庫(kù)伯囤積槍支的證據(jù)，一場(chǎng)無關(guān)正義與道德缺失的攻防戰(zhàn)即將展開……