他人之巢

4.7 播放:35萬 更新:2026-04-23
主演: 金美淑 河明鐘 安圣基 

結婚七年的秀熙因為丈夫的生理缺陷一直不能生育,漸漸對生活有了倦怠之意。丈夫炳努為妻子的這種精神狀態所遷怒,開始虐待秀熙。秀熙對生命的意義產生懷疑,后遇到丈夫的同事民旭,兩人產生了感情。炳努得之二人情事,十分震怒,對兩個人大發雷霆。秀熙和民旭為避開炳努來到海邊。最終,炳努還是原諒了他們,并認可了他們的感情。沒想到,第二天秀熙卻看到了警察送來的丈夫的尸體 hellip; hellip;   

即刻觀影

劇情賞析

結婚七年的秀熙因為丈夫的生理缺陷一直不能生育,漸漸對生活有了倦怠之意。丈夫炳努為妻子的這種精神狀態所遷怒,開始虐待秀熙。秀熙對生命的意義產生懷疑,后遇到丈夫的同事民旭,兩人產生了感情。炳努得之二人情事,十分震怒,對兩個人大發雷霆。秀熙和民旭為避開炳努來到海邊。最終,炳努還是原諒了他們,并認可了他們的感情。沒想到,第二天秀熙卻看到了警察送來的丈夫的尸體 hellip; hellip;   

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  故事開始于明朝,鳳三(元華 飾)心腸歹毒,無惡不作,身為錦衣衛,同時又是鳳三的師弟,方守正(元彪 飾)發誓要將鳳三繩之于法。然而,鳳三此人詭計多端,甚至想要偷取能夠扭轉時空的黑玉佛,借此逃脫法網,幾番爭斗之后,兩人雙雙跌落山崖。  時光荏苒,轉眼已是現代,考古隊在雪地中挖掘出了鳳三和方守正被冰封住的尸體,將兩人運往美國研究,然而,途中一場意外卻令兩人死而復生。方守正于機緣巧合之下遇見了名為阿玉(張曼玉 飾)的不良少女,陰差陽錯的成為了她的保鏢,而鳳三不改奸邪本性,加入了黑社會,繼續為非作歹。當方守正得知鳳三依舊作惡多端后,他決定繼續自己未完成的使命。

安身何處

比爾·薩奇,埃迪·法可,Tatiana Abracos,Aida Johaness,杰·托馬斯,Jade Golden

  Joseph Fulton, a well-regarded fifty-eight-year-old director of romantic comedies, wants to become assistant groundskeeper at a local cemetery. He wants to work outdoors and be close to nature. Meanwhile, he thinks it’s important to have his last will and testament drawn up. But his highly dramatic actress girlfriend thinks he must be dying and that he is just too brave to tell anyone. The rumor spreads and soon everyone he knows—and some he doesn’t—are crowded into his small apartment to say their last farewells.

同盜中人第二季

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等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

第18朵玫瑰

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活力少女夢想著一場完美的成人禮,于是與孤獨的新來者達成一項協議,但意外的心動和真相也許會讓計劃徹底泡湯。

復仇公主斯嘉麗

蘆田愛菜,岡田將生,役所廣司,市村正親,吉田鋼太郎,齊藤由貴,松重豐,山路和弘,柄本時生,青木崇高,染谷將太,白山乃愛,白石加代子

在戰火紛飛的中世紀王國中,手握利劍的斯嘉麗公主為替父報仇毅然踏上征途,卻以失敗收場。當她再次醒來時,發現自己身處神秘的“死者之國”。在那里,她邂逅了一位來自現代的理想主義青年;他的善意與慈悲,動搖了她心中根深蒂固的仇恨。當殺父仇敵再度現身,斯嘉麗必須做出抉擇:是繼續執念于復仇,還是尋找到仇恨之外的人生意義。