赤裸的謊言
FBI暫無內(nèi)容agent暫無內(nèi)容Cara暫無內(nèi)容Landry暫無內(nèi)容is暫無內(nèi)容sent暫無內(nèi)容on暫無內(nèi)容an暫無內(nèi)容undercover暫無內(nèi)容assignment暫無內(nèi)容to暫無內(nèi)容gather暫無內(nèi)容evidence暫無內(nèi)容on暫無內(nèi)容Damian暫無內(nèi)容Medina,暫無內(nèi)容a暫無內(nèi)容Mexican暫無內(nèi)容casino暫無內(nèi)容owner暫無內(nèi)容running暫無內(nèi)容a暫無內(nèi)容counterfeiting暫無內(nèi)容operation暫無內(nèi)容for暫無內(nèi)容the暫無內(nèi)容Cali暫無內(nèi)容drug暫無內(nèi)容cartel.暫無內(nèi)容With暫無內(nèi)容virtually暫無內(nèi)容no暫無內(nèi)容backup,暫無內(nèi)容Cara's暫無內(nèi)容only暫無內(nèi)容way暫無內(nèi)容to暫無內(nèi)容accomplish暫無內(nèi)容her暫無內(nèi)容mission,暫無內(nèi)容and暫無內(nèi)容stay暫無內(nèi)容alive,暫無內(nèi)容is暫無內(nèi)容lure暫無內(nèi)容Medina暫無內(nèi)容into暫無內(nèi)容a暫無內(nèi)容false暫無內(nèi)容sense暫無內(nèi)容of暫無內(nèi)容security暫無內(nèi)容and暫無內(nèi)容stay暫無內(nèi)容a暫無內(nèi)容step暫無內(nèi)容ahead暫無內(nèi)容of暫無內(nèi)容his暫無內(nèi)容suspicious暫無內(nèi)容underlings.
即刻觀影
劇情賞析
編輯推薦
突襲2026
楊杏,宮宏佳電影主要講述的是緝毒警察在臥底隊(duì)員的配合下，里應(yīng)外合徹底擊敗釘公販毒組織的故事。
羞恥惡魔
西蒙·飛利普斯Jack escapes jail and head to New York city to track down an old flame who has disappeared under mysterious circumstances.
隕石
保羅·基爾舍,伊迪爾·阿祖格利,薩利夫·西塞,斯特凡·里多,弗朗索瓦·佩徹,艾爾莎·布尚,Alexandra Thomas,Célie Valdenaire,Valentin Lespinasse,帕特里克·代·瓦萊特,Claire Langmann,Lisa Livane,Lionel Brison,Jean-Paul Charuel,Michel Janson,Antoine Carrard,Sacha Parisot,Reda Mabroum,Lucas Baily,Alexis Bessin法國鄉(xiāng)野荒原，米卡與丹懷揣夢想?yún)s厄運(yùn)纏身。當(dāng)?shù)ぴ俅胃阍乙磺校瑑扇吮黄韧侗及l(fā)跡的老友托尼——如今的包工頭之王。困在混凝土牢籠中的他們，必須找到出路：逃離此地、擺脫麻煩、沖破生存困境。
父影之下
索佩·迪瑞蘇,Godwin Egbo,Chibuike Marvelous Egbo,Efòn Wini,Tosin Adeyemi,Adesina McCoy Babalola,Lawrence Chu,Yetunde Coker,Akerele David,瓦萊·戴維斯,Patrick Diabuah,Paul Edobor,瑪莎·厄赫諾梅,Adodo Emmanuel,Patrick Essien,Olarotimi Fakunle,Ikechukwu Gabriel,Fred Ideh,Ebuka雷米與阿金這對小哥倆，終得與疏離多年的父親弗拉林共享難得一日。三人游走在初次相見的巨型都市拉各斯，少年窺見鋼筋森林的奇觀，亦目睹父親謀生路上的重重難關(guān)。此刻整座城市正籠罩在1993年總統(tǒng)大選結(jié)果的巨大陰云之下，而父子三人的歸家之路，竟也成了選票漩渦中飄搖的未知數(shù)。
陰目偵信
梁業(yè),何啟華,郭嘉駿,吳保锜,周家怡,葛民輝,太保,羅永昌,張達(dá)倫,譚旻萱改編自同名熱門恐怖小說的電影《陰目偵信》發(fā)布先導(dǎo)預(yù)告，陰目征信社接到新Case了？ 原著講述從小擁有陰陽眼的石頭成長過程十多年來與鬼為鄰，見盡生死相隔、人鬼殊途。身為香港首富伍氏豪門的子嗣，伍伯良身負(fù)家族世代相傳、不可告人的驚天秘密。大學(xué)猛鬼宿舍，時(shí)辰一到，石頭與新結(jié)識的伍伯良和怪人PATRICK，能否合力阻止鬼門大開？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.