人肉叉燒包之天誅地滅

　　在女兒青蘭頻繁發(fā)作邪病、不斷重復(fù)詭異兒歌的困擾下，風(fēng)水師豪哥(曹衛(wèi)宇 飾)與碼頭工人阿坤、記者大偉一同踏上了前往青石鎮(zhèn)的探險(xiǎn)之旅。在這個(gè)風(fēng)水布局精巧、卻氣氛詭異的小鎮(zhèn)上，他們不僅發(fā)現(xiàn)了青蘭的姐姐紅蓮的命運(yùn)，還揭開(kāi)了鎮(zhèn)上隱藏的驚天秘密。

 故事發(fā)生在美國(guó)西部大開(kāi)發(fā)時(shí)期，燕西（理查德·迪克斯 Richard Dix 飾）帶著妻子莎布拉（艾琳·鄧恩 Irene Dunne 飾）千里昭昭來(lái)到了廣袤而又荒蕪的俄克納馬拉，心里懷揣著遠(yuǎn)大的理想，希望能夠在這里做出一番建樹(shù)。俄克納馬拉的生活環(huán)境十分艱苦和險(xiǎn)峻，然而，夫妻兩人同心協(xié)力，慢慢改善和建立著他們的家園。在日子漸漸穩(wěn)定的過(guò)程中，在當(dāng)?shù)厣畹哪翀?chǎng)主們感到他們的利益受到了侵犯，他們常常會(huì)找燕西的麻煩，卻又被燕西用智慧巧妙的化解。燕西十分同情在當(dāng)?shù)厣畹挠〉诎餐林c此同時(shí)，嫉惡如仇的燕西亦對(duì)壓迫和剝削原住民的資本家們充滿(mǎn)了仇恨，隨著時(shí)間的推移，雙方的矛盾漸漸尖銳起來(lái)。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　三國(guó)志の天才軍師?諸葛孔明が、なぜか現(xiàn)代の渋谷に転生。　　アマチュアシンガー月見(jiàn)英子の歌聲に心奪われた孔明は、英子とともに音楽の力で＜天下泰平＞を目指す。そんな中、日本を代表する3大音楽レーベル、KEY TIME、SSSミュージック、V-EXが頂點(diǎn)を競(jìng)う、史上最大の音楽バトルフェスの開(kāi)幕が決定。　　各レーベルから多彩な強(qiáng)者アーティストが集結(jié)する中、孔明と英子も參戦することに。　　だが、そんな二人の前に三國(guó)時(shí)代の孔明の最大のライバル司馬懿の末裔?司馬潤(rùn)、shin兄妹が立ちはだかる。　　果たして、孔明と英子の運(yùn)命は──？